The relationship between the architecture ecological aesthetics and the sustainable development;

Expectation of "Re-enchantment" by Ecological Aesthetics;

Rethinking of the Study on Ecological Aesthetics;

The author maintains that the balance and stability of the human society depends,to a great extent, on the process and result of social energy conversion and that artistic and aesthetic activity is a key switch on the“ssembly line”of the energy conversion and augmentation,and eco-aesthetics is the guarding practice of the ideal energy conversion process.

It offers ontological illumination for the research of eco-aesthetics,and it brings enlightenment in avoiding the metal disease of modern people and malady in modern art.

Ecoaesthetics and ecoethnics provide the context to solve the puzzle of natural beauty.

This paper discriminates ecoaesthetics practice ideas of "anthropocentrism", "Ecology centrism", "harmony between man and nature", "man is the master of his own fate", "static harmony" and "positive harmony".

Therefore subjectivity aesthetics including the Practice Aesthetics can not become ecoaesthetics.

It regarded ecological esthetics as a kind of value,ethic and education concept,and introduced ecological esthetics into research fields of plant protection.

In recent years,there appearing a new esthetic theory:ecological esthetics,which persuing the harmony and unity between human beings and nature.

In recent years there appearing a new esthetics theory: ecological esthetics, which pursuing the harmony and unity between human beings and nature.

Since 1950s aesthetics has become a apparent learning but ecology of aesthetics has been destroyed because of the disruption of it.

Pre-Qin Confucians Eco-aesthetics View and Constitution Situation;