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1)  object of narration
叙述客体
1.
The aesthetic effect comes mainly from the various features of the subject and the diverse demands of the object of narration.
其审美效果主要源于叙述主体个性的各具特色和叙述客体千差万别的种种需求。
2)  objective narration
客观叙述
1.
The application of this point of view realizes the absolute objective narration, creates the precedent of only narrating the story of a Bildungsroman with the narrating time approximately equivalent to the story developing time and makes less importan.
这一叙事模式实现了绝对的客观叙述 ,开创了在“发展小说”中仅用等述的先例 ,淡化了“故事情节”在“发展小说”中的作用 ,从而打造出一部与众不同的意识流实验“发展小说”。
3)  narrative norm
叙述体态
4)  narrative subjectivity
叙述主体
1.
This paper attempts to explore the textual expressive capacity complexity in the novel from the differentiation in the narrative subjectivity and its remarkable narrative art.
从小说中叙述主体间的关系入手,讨论各叙述主体之间的分化与冲突所构成的文本张力及其意义的复杂性和多元化,可进一步揭示:小说令人震撼的力量来自于其具有独创性和超越性的叙事艺术。
2.
Being a "villager" with multicultural position, Shen Congwen constructed lots of narrative subjectivity in his novels.
作为“乡下人”所具有的多元文化立场的沈从文,在其小说创作的叙事中建构了多个不同的叙述主体。
5)  narrative subject
叙述主体
1.
Through the characteristics of the two narrative media-language and picture and their interaction, this article makes a new comprehensive analysis of all questions related with narrative subject.
本文从语言和图像这两种叙述媒介的各自特征及其互文关系入手,重新全面而细致地分析了有关叙述主体的诸问题,尤其着重分析了"语-图"互文语境中叙述主体的生成特征及其所影响的中西不同的艺术风貌。
2.
Based on analyzing the problem of narrative subject in Chinese female fictions from the 1980s to the 1990s,this article brings forth that narrative subjects should not just take positive attitude to face reality,moreover,enrich rhetoric techniques,and commit themselves with enhancing aesthetic state to play their roles in the space of contemporary culture.
通过分析20世纪80年代至90年代女性小说叙述主体的问题,认为女性小说的叙述主体不仅要有面对现实的积极态度,而且要注意修辞,并致力于审美境界的提升,从而在当代的文化空间中发挥影响。
6)  Body narration
躯体叙述
补充资料:叙述
将事情的经过写下来或说出来:叙述事情的经过|他的叙述很有条理。
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