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1)  Ci style
词风
1.
Expressing Wei Zhuang’s own emotions —on Wei Zhuang’s poetic style and ci style;
自抒怀抱——韦庄诗风与词风浅探
2.
Different life experiences have led to this difference in their Ci styles.
论述了两人词风的差异及其形成原因。
3.
This article mainly discusses the author s sentimental, mild, exquisite, and mournful Ci style through his works on love, departure and deceasement.
本文从纳兰的爱情、伤别、悼亡诸词探讨其哀感顽艳、婉丽凄清的词风
2)  poetry style
词风
1.
His Ci poems inherited the fine traditions of Su Shi and Xin Qiji,forming his bold and heroic poetry style.
其词上承苏轼、辛弃疾优良传统 ,形成雄奇豪迈、刚健质朴的词风 ;其怀古词所表现出的忧患意识和兴废之感构成词作的思想精髓 ;隶事用典、融化诗句以及锤炼字句是其鲜明的艺术特色。
3)  ci-poetry style
词风
1.
This paper is the study on evolution and causation of ci-poetry style in late Ming and early Qing.
本论文研究明末清初词风嬗变特点和产生原因。
4)  the style and conception of Ci
词风词境
5)  bold and unconstrained style of Ci
豪放词词风
6)  bold and inhibited style of ci
豪放词风
补充资料:宋广《风入松词》轴
      中国明代书法家宋广草书的代表作。宋广(14世纪)字昌裔,河南南阳人,官沔阳同知。此轴为纸本,草书。纵 101.5厘米,横33.5厘米,是宋广为陆德修录书"风入松"词二阕。书于洪武十二年(1379)。该书作纸精墨妙,用笔瘦劲婉畅,幅上钤有徐学恒、陈骥德等人鉴藏印记。现藏故宫博物院。
  

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