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1)  aesthetic modernity
审美现代性
1.
Cognition and Reconstruction: An Opinion on Aesthetic Modernity in Contemporary China;
认识与重写——关于当代中国“审美现代性”问题的一种意见
2.
The four layers of aesthetic modernity;
理解审美现代性的四个层面
2)  esthetic modernity
审美现代性
1.
Its purpose is to construct the national culture which is superior to that of western modernity,and sincerely borrow the form of "classics" and "folk-song ",which results in a striking contrast between the aspiration of secular modernity and the extreme absence of esthetic modernity under the dual function of the criterion and the discipline during the.
它旨在建构优越于西方现代性的民族文化并真诚地借用"古典"和"民歌"的形式,结果却在规范与规训的双重作用下,于一体化认同建构过程中形成对世俗现代性的渴望与追求同审美现代性的极度缺失的强烈反差,从而走向对真正意义上的古典和民歌的自反性否定。
2.
Contemporary esthetics and social theories have both responded to the issue of esthetic modernity.
关于审美现代性问题,当代美学和社会理论都进行了不同的理论回应。
3.
One is enlightening modernity, the other is esthetic modernity.
现代社会发展过程中产生了两种不同的现代性趋势,一是启蒙现代性,一是审美现代性,前者表现为主体性和理性化的确立,及其对社会生活方方面面的影响与制约;而后者则在美学与艺术领域强调人的灵性、本能与情感需求。
3)  compare research
现代性审美
4)  the western aesthetic modernity
西方审美现代性
1.
There is both consistency and conflict between the western modernity and the western aesthetic modernity.
西方现代性与西方审美现代性存在着一致性和冲突。
5)  modern aesthetic dimension
现代性审美维度
1.
Among numerous art categories,new media art,born at the end of the 20th century,has,by reforming aesthetic concepts of all kinds of traditional arts,established its modern aesthetic method and principle and formed its modern aesthetic dimension.
在众多艺术门类中,20世纪末诞生的新媒体艺术通过对各种传统艺术所进行的美学观念的改造,确立了自己现代性的美学方法和原则,形成了新媒体艺术的现代性审美维度。
6)  the anaphase of (or aesthetic) modernity
后期(审美)现代性
补充资料:连续性与非连续性(见间断性与不间断性)


连续性与非连续性(见间断性与不间断性)
continuity and discontinuity

11an父ux泊g四f“山。麻以角g、.连续性与非连续性(c。nt,n琳t:nuity一)_见间断性与不间断性。and diseo红ti-
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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