1) aesthetic object
审美对象
1.
The essence of all aesthetic activities lies in the issue of aesthetic liberty,of which the liberty of aesthetic object is one of the significant aspects.
审美自由问题是整个审美活动本质之所在,而审美对象的自由问题是其中一个重要的方面。
2.
Mikel Dufrenne held that the aesthetic object is a pure object of perception.
杜夫海纳认为审美对象是纯粹知觉对象。
3.
In Ingarden s opinion,the aesthetic experience begins with the cognition of the real object,and the aesthetic object is the result of the activities of the aesthetic experience.
英伽登认为审美经验活动开始于对实在事物的认识,审美对象是审美经验的产物,但是审美对象不同于实在事物,审美对象形成后也不局限于实在事物。
2) aesthetic objects
审美对象
1.
Description and study of Dufrenne aesthetic objects theory;
杜夫海纳审美对象理论述评
2.
Life world and origin of the world of meanings of aesthetic objects;
生活世界与审美对象意义世界的本源
3.
Dufrenne has established a complete system of modem aesthetic theory which is composed of the following three sections:the development of the aesthetic objects, the configuration of the artistic works, and the ontology of the aesthetic experience.
杜夫海纳以现象学方法建立了完整的现代美学原理体系,这一体系由审美对象的生成论、艺术作品的结构论和审美经验的本体论三部分构成。
3) aesthetic target
审美对象
1.
It s affirmed that as an objective reality,the aesthetic target in phenomenology is different from the aesthetic object.
运用现象学的方法,对审美对象进行阐释,认为它不仅需要具有客观存在的条件,而且必须经过主体的知觉,从而进一步确认,现象学美学中的审美对象作为客观存在的对象不同于审美客体,它是一种意向性、关系性的存在,其内涵比审美客体的内涵更丰富、更具体、更富主体性,也更适合建构新的美学体系;作为被意识到的对象的审美对象不同于一般的意识对象,它是一种需要用审美经验去感知的对象性存在。
2.
Through explaining Robot·Coovor novel Housekeeper,this article tries to elaborate that the aesthetic target and aesthetic subject recreated makes the aesthetic theme to form indefinteness,and the subversive and rebuilding significance of the pos-tmodern novels.
本文通过解读罗伯特·库弗的小说《保姆》 ,试图阐释审美主体和审美对象的被游戏化 ,使审美主题产生的不确定性 ,以及后现代小说具有的颠覆和重构的意
4) Aesthetical object
审美对象
1.
The aesthetical objective is a very important idea in the theoretical system of his aesthetics of phenomenal science.
审美对象是他现象学美学理论体系中的一个极其重要的概念。
2.
It s an important outcome caused by the transition from the study of the phenomenal science to the aesthetical consciousness and the aesthetical object more than his predecessor.
它是现象学研究方向过渡到审美经验的重要成果，比其前辈更重视以审美知觉和审美对象为主要内容的现象学理论构建。
5) On Aesthetic Object
论审美对象
6) degree of complication
审美对象复杂度
补充资料：审美对象
亦称“审美客体”。与“审美主体”相对。指能使人产生审美愉快的事物、对象。它在客观上与人构成一定的审美关系。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条