2) picturesque
[英][,pɪktʃə'resk] [美]['pɪktʃə'rɛsk]
如画
1.
The essay is concerned with the following aesthetic characters“lifelike”、 “picturesque”、“refined”and expounds the relationship between aesthetic characteristice and news narrative.
文章从史传文学中的“传神”、“如画”、“蕴藉”等审美特性入手,阐述了与新闻叙事的关系。
2.
This thesis is an attempt to discuss the relationship between the ideas of picturesque and the water colour landscape paintings during the 19th centry.
西方十八世纪末——十九世纪初的“如画”观念，其最初的渊源在意大利文艺复兴时期中那些“画出真实所见”的画家中间，它所代表的绘画风格，在提香这类敢于把远山画成“所见”的蓝色的画家作品中得到了最初的体现。
4) poetry and painting
诗画
1.
This paper discussed the profound influence of Chinese poetry and painting on Chinese Penjing in the formation and development of its national style and pointed out that the Chinese Penjing is consistent with Chinese poetry and painting in the consciousness of space, painting is its shape and poetry is its soul, the fusion of poetry, painting and Penjing are the path to develop Chinese Penjin
探讨了在中国盆景民族风格的形成与发展中 ,中国诗画对它的深刻影响。
5) poempicture
画诗
1.
He called his poems“poempicture”for their peculiar style.
cummings)大量应用变异的手法,写了很多独具一格、他自称为“画诗”(poempicture)的奇特的诗,因此要读懂就必须理解其中的变异手法。
6) poem and painting
诗画
1.
There is something of poem and painting and something of Fengshui,which is so called typical south China scholar garden.
因历代园主均为诗画双全的传统文人,故堆山理水颇得诗情画意,可以称得上是典型的江南文人园。
补充资料：与阮德如诗
【诗文】：
含哀还旧庐。感切伤心肝。良时遘吾子。谈慰臭如兰。畴昔恨不早。既面侔旧欢。不悟卒永离。念隔增忧叹。事故无不有。别易会良难。
郢人忽已逝。匠石寝不言。泽雉穷野草。灵龟乐泥蟠。荣名秽人身。高位多灾患。未若捐外累。肆志养浩然。颜氏希有虞。隰子慕黄轩。
涓彭独何人。唯志在所安。渐渍殉近欲。一往不可攀。生生在豫积。勿以怵自宽。南土垾不凉。衿计宜早完。君其爱德素。行路慎风寒。
自力致所怀。临文情辛酸。
【注释】：
【出处】：
含哀还旧庐。感切伤心肝。良时遘吾子。谈慰臭如兰。畴昔恨不早。既面侔旧欢。不悟卒永离。念隔增忧叹。事故无不有。别易会良难。
郢人忽已逝。匠石寝不言。泽雉穷野草。灵龟乐泥蟠。荣名秽人身。高位多灾患。未若捐外累。肆志养浩然。颜氏希有虞。隰子慕黄轩。
涓彭独何人。唯志在所安。渐渍殉近欲。一往不可攀。生生在豫积。勿以怵自宽。南土垾不凉。衿计宜早完。君其爱德素。行路慎风寒。
自力致所怀。临文情辛酸。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条