1) the middle and late Tang Dynasty
中晚唐
1.
Fishing without Desire: a Random Talk of the Fishing Poetry in the Middle and Late Tang Dynasty;
任运随缘 大钓不钓——中晚唐钓鱼诗词的佛禅意趣
2.
In the middle and late Tang Dynasty,Libu relaxes its restrictions on the the successful candi- dates in the provincial imperial examination to enter Mufu and encourages them to work in Mufu to get some administrative experiences,which leads to a lot of successful candidates pouring into Mufu.
随着中晚唐吏部铨选不断放宽及第举人入幕使府的限制,并鼓励其入幕锻炼从政经验,使得大批及第举人涌入使府。
3.
Through the discussion of the monk poets in the industrious versification pattern in the middle and late Tang Dynasty,the author points out that under the prevalence of industrious versification at that time,the monk poets could catch up in the vogue,accelerate industrious versification and make it into the needs of life,the crea- tive actions of them displays their zeal for poetic creation.
通过对中晚唐苦吟格局中的诗僧的探讨,指出在当时诗坛苦吟之风日盛的情况下,诗僧能融入时流,促进苦吟之风,将苦吟变成一种生命的需要,其创作行为本身就体现出诗僧诗歌创作的热力。
2) middle and late Tang Dynasty
中晚唐
1.
The prosperity of cursive hand of zen monks of the middle and late Tang Dynasty was not accidental because of its profound cultural background: zen monks regarded the cursive hand as a kind of apperception of zen, and the prosperity of cursive hand had a direct relation to the development of zen; the utilitarianism of the writers was an important cause for the prosperity of their cursive hand.
中晚唐禅僧草书的兴盛不是偶然的 ,有其深刻的文化背景 :禅僧以草书作为参禅悟禅的一种形式 ,草书的兴盛与禅宗的发展有着直接的联系 ;禅僧书家的功利性是其草书兴盛的一个重要原因 ;禅僧草书体现了文人士大夫的审美需求。
2.
During China Middle and late Tang Dynasty a peculiar colony has appeared in calligraphy circles -Cursive script monk.
中晚唐书坛出现了一个特别的书家群体——草书僧。
3.
The prevailing custom of intellectual\'s excursion and visiting prostitutes during middle and late Tang dynasty made an inportant influence on the literary creation.
中晚唐时期,在士人中间,声色享乐、冶游狎妓之风盛行。
3) the middle and late periods of the Tang Dynasty
中晚唐
1.
In the middle and late periods of the Tang Dynasty there were a lot of writers of pityingpeasants poems.
中晚唐时期有大量的悯农诗人,他们作品思想内容丰富深刻,有的揭露了中晚唐王朝官府的繁重赋税、贪官胥吏的敲诈勒索巧取豪夺使百姓生活艰难,有的直接描绘农民的劳作艰辛和生活的贫困,也有的揭露了藩镇割据、战乱及自然灾害给百姓带来的深重灾难,特别是对处于社会最底层的劳动妇女的痛苦生活与悲惨命运也有较多的描写。
4) middle-late Tang dynasty
中晚唐
1.
Under the different social situation of middle-late Tang dynasty, Hu minority governors of north were capability and also took many action to reform their governance, but Han governors of south were atrocious to levy the maximum tax and were indifference to the production.
中晚唐时期南北方的基本社会态势在社会构成主体、地方主政者出身、地方与中央之间关系等方面都明显不同。
补充资料：晚唐派
晚唐诗派
标榜学晚唐诗的近代诗派。领袖人物为樊增祥、易
顺鼎。他们着重学习晚唐诗人李商隐、温庭筠、韩□，
从韩□“香奁体”入手,好作艳体诗,追求对仗工巧，隶
事精切，词采富艳,诗风典赡华靡,工整绵丽。樊增祥自
称“性耽绮语”,“学诗自香奁体入”。学诗之初,“积
诗千数百首，大半小仓（袁枚）、瓯北（赵翼）体，其
余皆香奁体也”。又说“三十以前,颇嗜温、李,下逮西
□，即《疑雨集》、《香草笺》，亦所不薄”（《樊山
全集》续集第26卷）。易顺鼎诗以“近于温李者居多”，
“以学晚唐者为最佳”。近体诗“惟以裁对鲜新工整为
主”，晚年“益纵情于舞榭歌场”，诗“多冶游之作”
（陈衍《石遗室诗话》）。属于这一派的主要诗人还有
三多、李希圣、曹元忠等。
三多，字六桥，又署鹿樵、可园。满人。曾官绥远、
奉天都统，杭州、库伦驻防大臣。为樊增祥诗弟子，工
于隶事，极似樊。所不同者，诗多边地莽苍之气，善以
满蒙方言入诗。有《可园诗钞》。李希圣(1864～1905)，
字亦元。湖南湘乡人。光绪十八年(1892)进士，官刑部
主事。诗大多为七律，专学李商隐。有《雁影斋诗存》。
曹元忠，字君直。江苏吴县人。光绪二十年(1894)举人，
曾官内阁中书。诗亦专学李商隐，其工妙不下李希圣诗，
有《北游小草》。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条