2) Chinese ironical poetry
中国讽刺诗
1.
There are many differences in stylistic formation between Chinese ironical poetry and the Western ironical poetry because there are great differences in the politics, culture and the poetic environment between them.
中国讽刺诗具有节制宽容的风格,嘲世的较多。
3) modern satirized art
现代讽刺艺术
1.
The value of LU Xun s satirized art is not only he created classic satirized works,and richened the storage of modern satirized art,but also he exploited the new way of modern satirized art of China,had characteristic views about it,promoted the development of modern satizized art of China,and made it onto the stage of world s satirized art.
鲁迅讽刺艺术的价值 ,不仅在于他创作了第一流的讽刺艺术作品 ,以众多不朽的讽刺作品丰富了现代讽刺文学的宝库 ,更在于他开拓了中国现代讽刺文学的新道路 ,形成了自己独特的讽刺艺术美学观 ,使现代中国的讽刺艺术获得了特殊的发展 ,在世界现代讽刺艺术史上占据了重要的地位。
5) modern Chinese poetics
中国现代诗学
1.
The language constitution of modern Chinese poetics is coincident with the formation of modern Chinese language,which is made of classical concept and terms of ancient Chinese language,modern colloquialism and western poetic speeches.
中国现代诗学在语言构成上与现代汉语的形成是一致的,它主要由古汉语中的经典概念和术语、现代白话和西方诗学话语及其言说方式构成。
2.
And it has an great significance to the Beginning synthetical study of modern Chinese poetics.
康白情的《新诗底我见》是一篇综合性研究的诗论,它对于中国现代诗学的综合研究具有开创性意义,因此,《新诗底我见》是中国现代诗学综合研究的开端之作。
3.
The question is how the creators absorbed and transformed the foreign poetics into a part of modern Chinese poetics according to classical Chinese poetics, then we can analyses its success or failure, advantages and disadvantages.
本论文是对外来诗学在现代中国语境中的影响研究，重在梳理外来诗学在中国的传播和发展线索，进而探究它启动中国现代诗学转型的文化机制。
6) Chinese modern poetics
中国现代诗学
1.
Researches on Chinese modern poetics first of all has to clear up its prerequisites,in which the real existence of "Chinese modern poetics" is suppose to be a crucial one.
中国现代诗学的研究必须对它的研究前提首先进行清理。
2.
Lü Jin, one of the contemporary theorists on poetry, has constructed the system of Chinese modern poetics, which proves to be a system of wholeness, practical- ness and innovation in the history of new poetic theory.
当代著名诗歌理论家吕进建构的中国现代诗学体系,是新诗理论发展史上的一个完整、求实、创新的体系。
3.
The article shows that the background and the development of our Chinese modern poetics were given between"the western"and"the nativism",which have formed a centurial topic of Chinese poetic research.
中国现代诗学发生的背景,以及发展过程,一直都是在"西方"与"本土"之间游走选择,这也构成了中国诗学研究的世纪性命题。
补充资料：中国现代派诗群
中国现代派诗群的兴起是新月派和中国早期象征诗派诗歌发展的结果，中国现代派形成的另一个重要原因是《现代》杂志在1932年的创刊。作为现代诗歌的平台，《现代》的周围逐渐聚集起一批现代派诗人群，代表诗人有戴望舒、卞之琳等。
中国的现代主义诗歌在风格上不受韵律和格律限制，手法上多用象征暗喻等表达方式，诗歌的内容以自我心灵的感受为主。
现代派诗歌形成之后，其诗歌创作的理论，由孙作云于1935年正式提出。他发表了《论“现代派”诗》一文，标志着中国现代派诗群的正式诞生。
[编辑] 相关连接
- 中国诗歌库 http://www.shigeku.com
- 中国诗歌史 http://poetrycn.com
[编辑] 参见
- 现代诗歌
- 现代诗人
- 诗人列表
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