1) Tongcheng School
桐城派
1.
From Anthology of Classical Prose to Collection of Historic Classical Works——On the Coherent Relation between Zeng Guo-fan and Tongcheng School;
从《古文辞类纂》到《经史百家杂钞》——论曾国藩与桐城派的承传关系
2.
On relation of Wang Kaiyun and Tongcheng School;
王闿运与桐城派——论王闿运文学思想的另一渊源
3.
Research on the Relationship Between WU Ying-qi with Tongcheng School;
吴应箕与桐城派关系考论
2) Tong Cheng School
桐城派
1.
Zeng Guofan s Development of the Literary Theory of Tong Cheng School;
曾国藩对桐城派文论的发展
3) school of Tongcheng
桐城派
1.
At the beginning of 20th century, Yao Yongpu who is the important person of the school of Tongcheng taught The Way of The Study of Literature in Beijing University, and published his lecture.
20世纪初,桐城派晚期代表人物姚永朴在北京大学开设了“文学研究法”这一课程,并将讲稿刊行出版,这可以说是中国现代“文学理论”课程最早的雏形。
2.
As the most influential school of prose in the Qing Dynasty, the school of Tongcheng plays a key role in the Chinese literature.
桐城派的文学理论与实际成绩卓然 ,桐城文派是当时清代势力最大的散文流派 ,且在中国文坛上居于显赫的地位。
4) the Tongcheng School
桐城派
1.
Wu Rulun is the master of the last generation of the Tongcheng School in the Late Qing Dynasty.
吴汝纶是晚清桐城派的末代宗师,虽恪守古文道统,思想却倾向洋务和维新,力倡西学,积极传播进化论思想。
5) Tongcheng Group
桐城派
1.
Between "True" and "Vulgar" Zhang Taiyan s Evaluation of Tongcheng Group;
真与俗之间——章太炎对桐城派的评价
2.
A Comment on Zeng Guofan s Reforming and Overstepping of Tongcheng Group;
试论曾国藩对桐城派之变革与超越
3.
Tongcheng Group has long been a dominating literary branch in Qing dynasty,and honored as an orthodox school in literature fields.
桐城派在有清一代长期占据统治地位,被誉为文坛正宗,影响长达二、三百年之久,但到后期已呈衰退之势,已经不能适应时代发展和文学自身变革的需求。
补充资料：桐城派
| 桐城派 中国清代散文流派。创始人方苞。继承发展者虽众，影响最大的主要是刘大櫆和姚鼐。因方、刘、姚都是安徽桐城人，世称桐城派，时在乾隆末期。桐城派的文论，以义法为中心，逐步丰富发展，成为一个体系。方苞谓“义”，即言有物，指文章的内容；“法”，即言有序，指文章的形式。他的义经法纬之说，是要求文章内容和形式统一，古文当以“雅洁”为尚，反对俚俗和繁芜。刘大櫆发展了方苞关于“法”的理论，进一步探求散文的艺术性，提出了“因声求气”说。姚鼐是桐城派的集大成者，强调“义理、考证、文章”三者合一。桐城派的文章在思想上多为“阐道翼教”而作；文风上简明达意，条理清晰，清真雅正，颇具特色。方苞的《狱中杂记》、《左忠毅公逸事》，姚鼐的《登泰山记》等，都是代表作品。桐城派在清代文坛上影响极大 。对矫正明末清初的文风，促进散文发展起了一定的作用。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
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