1) full-length play
全本戏
1.
In the Ming and Qing Dynasties, theatre performances took two major forms: full-length play and zhezi xi (selected scenes).
全本戏和折子戏是明清戏曲在舞台演出中的两种主要形式,这两种形式在康乾盛世实现了转换。
2.
While some zhe zi xi were excerpts from full-length plays,others came from folk performances.
中国戏剧的折子戏大多是从全本戏中脱落而出,但也有一些是从民间小戏演变而来,数百年来影响甚广的《思凡》正是后一途径的典型。
2) the whole opera
本戏
1.
Today to re energize Kunqu operas depends on the performance of the whole operas rather than.
今天 ,昆剧振兴的标志不应该是折子戏的反复会演 ,而应该是本戏演出的繁荣。
3) opera anthologies
戏曲选本
1.
The Qing Dynasty saw the transformation of the traditional opera anthologies,which showed the following characteristics:the retreat of the culture class—men of letters,the decline of Kunqiang anthologies accompanied with the flourish of local operas,and the regression of anthologies toward the performance of people.
清代是古代戏曲选本发展的转型时期,主要有三个特征：文人文化层的退场、昆腔选本的衰变和花部诸腔选本的崛起,体现了戏曲选本向民间立场的回归。
4) play book of local drama
土戏剧本
5) Japanese opera
日本戏剧
1.
This article is mainly about the content,aesthetic value especially,the development relation with Japanese opera of "King of Lanlin".
本文主要论述"代面"(或称"大面")戏《兰陵王》的故事内容、审美价值,尤其是与日本戏剧的发展关系。
6) play essence
游戏本质
1.
This essay descript the play essence of basketball and reappear the development track of it.
从篮球运动产生的根源来揭示篮球运动的游戏本质,再现篮球运动发展的轨迹,指出了大众篮球运动与竞技篮球运动之间的差异,阐述了以奥运会和NBA为最高水平的竞技篮球运动对篮球游戏本质的异化与发展,揭示了竞技篮球与大众篮球之根本区别在于“娱人”和“娱己”。
补充资料：本戏
成本演出的戏曲，内容包括一个完整的故事，有时不一定一次演完（区别于‘折子戏’）：连台～。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条