1) multi aesthetic outlook
多元审美观
1.
Only by forming a multi aesthetic outlook and aesthetic ability for Chinese traditional operas can people find the motivation of use for reference;only by making clear the problem of similarity and dissimilarity can people recognize the need for use the singing method of traditional operas for reference and also make clear the ways and contents of use for referenc.
在声乐教学与戏曲唱法的诸多问题中,审美问题是基本的问题,只有树立起对中国戏曲的多元审美观念和审美能力,才能有借鉴的动机;只有弄清了相通性和相异性问题,才能弄清戏曲演唱方法的可借鉴性以及借鉴的途径和内容;只有弄清了操作性问题,才能弄清借鉴的具体操作过程方法和手段;只有明确了这些问题及其相互关系,才能建立起正确的指导思想,用以指导歌曲演唱民族化的实践,从而确立正确的改革方向和训练模式,解决声乐训练中出现的有关难题,促进歌曲演唱真正的民族化。
2) Aesthetic multiformity
审美多元性
4) pluralism of product aesthetic
产品审美多元化
5) aesthetic concept
审美观念
1.
The author introduces the system of the architectural aesthetics,detailedly describes the change of the architectural aesthetic concept,discusses the new thought of the architectural aesthetics,to promote the research of the architectural aesthetics,and to help people understand the connotation of the building and the architectural aesthetics.
对建筑美学的体系进行了介绍,详细地阐述了建筑审美观念的转变,探讨了建筑美学的新思维,以促进建筑美学的研究,帮助人们更好地认识建筑和建筑的美学内涵。
2.
On the basis of the explanations of the aesthetic concepts for the garden-making,the artistic characteristics in garden-making of the Tibetan traditional garden are systematically analyzed so as to make us deeply understand the Tibetan traditional garden and get the knowledge about the system of Chinese traditional gar.
本文对藏族林卡的造园审美观念作了论述,系统阐释了藏族林卡的造园艺术特点,目的在于使我们对藏族林卡有深入的了解,进而完善我们对中国传统园林体系的认识。
3.
The changes of aesthetic concept from classic architecture to modern architecture are analyzed.
分析了从古典建筑到当代建筑的审美观念的变化,探讨了中国传统建筑文化的精粹与局限性,介绍了传统建筑与现代建筑之间的关系,论述了二者间艺术和审美意识锲合的创作之路,并指出了几种倾向,促成传统与现代的交汇。
6) aesthetic view
审美观
1.
They also refer to Confucian tourism aesthetic views and think that his tourism thoughts are utilitarian.
目前学术界对孔子旅游思想的研究涉及到孔子旅游活动的分类,远游观和近游观,提倡听乐观礼的文化之游和体山悟水的自然之游,反对佚游等旅游态度,以及山水比德的旅游审美观等,并认为孔子的旅游思想是功利性的。
2.
In the age of social reform, modern Chinese are experiencing a great change on orientation of value and aesthetic view.
价值取向与审美观都是人的精神活动,属于思想意识范畴,因此,它必然会受一定社会生产力发展水平的制约,不同时代、不同阶段、不同层次的人都会有不同的价值取向与审美观。
补充资料：审美观
1.谓审美主体对美的总的看法。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条