1) write sound instead of modality
离形写音
1.
In this mentality,poets seek the artistic spirit in which they write sound instead of modality,transform space into time,and listen to the rhythm of "things" in music,which can reflect the characteristic of Ci poem and show a different aesthetic feature .
在这种心态下,离形写音,化空间为时间,在管弦声中聆听物的节奏,成为词人谋合词体体性的艺术精神,亦展现出与徒诗不同的审美特征。
3) sound-based
写音文字
5) music description
音乐描写
1.
It probes into the successful experience and inherent reasons of Tang poetry in music description.
本文以借鉴唐诗创作法式为旨归,从音乐表现的角度切入,以涉及音乐的唐诗名作作为研究对象,探讨了唐诗在音乐描写上的成功经验和内在原因。
2.
In analyzing the music description of Pipaxing from the five links: beginning, developing, waving, climax and end, and in comparing with the tones of Liu E s Minghujütingshu and Lin Sihuan s Kouji, the music description of PipaxXing shows sharp the writer s superb skills.
从"起始、发展、跌宕、高潮、结束"五个环节赏析《琵琶行》的音乐描写,在与刘鹗的《明湖居听书》、林嗣环的《口技》比较中,突出《琵琶行》正面描摹音乐的高超技艺。
补充资料：离形
1.离弃形体。 2.谓形体分开。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条