2) narrative tradition
叙述传统
1.
Story :the general narrative tradition of investigative reports;
故事化:调查性报道的一般叙述传统
3) tradition and modern
传统与现代
1.
Prospect the future development of China s modern design from tradition and modern,multiculture and multi-discipline and advance the "integrating innovation" in the new era of global economy,culture and ideas.
从传统与现代、多元文化、多学科几个角度的融合创新展望中国现代设计的未来。
2.
Relevent Documents, Concerning the studies of the rural grassroots power cells in the tranforming society of China, are mainly based on the three space structures of “top-down and exterior-interior” “plane evolvement” and “down to top and interior-exterior,” and the three theories of “construction of state power”, “market transform-power reorganization” and “tradition and modern”.
对中国转型社会下农村基层政权组织的研究,相关文献主要立足于“从上到下和从外到内”、“平面推移”、“从下到上和从内到外”三个时空结构视点,分别以“国家政权建设”、“市场转型———权力整合”、“传统与现代”三个理论视角展开探讨。
3.
Tradition and modernism have been a conple of nodes,that could not be comperhended easily.
传统与现代之间历来就是一对难以了解的结。
5) Tradition and modernity
传统与现代
1.
Integration of tradition and modernity,nationalism and internationalism:The Analysis of musical elements characteristic of Kodály Zoltán's Missa Brevis
传统与现代、民族与国际的多元融合——柯达伊·佐尔坦《小弥撒曲》音乐要素特征分析
2.
The first part of the paper discusses the cultural connotation of “characteristic Beijing novels” in 1980s, namely, what consisting factors in the novels represented the differences of Beijing and the interior dilemma of this writing method, which is built upon the frame of tradition and modernity.
论文第一部分讨论 80年代“京味小说”的“文化”内涵 ,即北京文化的差异性表现为作品的何种构成因素 ,以及这种建立在传统与现代框架中的书写方式的内在矛盾。
3.
This article focuses on Wang Zengqi s perception of fictions, especially on his later (1980s) understanding of the relationship between tradition and modernity.
本文从分析《聊斋新义》系列小说的内容入手 ,结合汪曾祺本人的创作谈 ,讨论汪曾祺 2 0世纪 80年代的小说观念 ,尤其是他对传统与现代的关系问题的理解 ,以及这些理解对其创作产生的影响。
补充资料：后现代语境
后现代语境
是目前学术理论界常用的名词。由于后现代主义文学对历史话语和宏伟叙事的否定，即不再相信那些历史性的伟大主题和英雄主角，也不去期望找到返回宏伟叙事的道路，无限地延伸了局部的话语游戏和文本操作性，反过来使后现代缺乏整体性把握世界的能力和表述对世界进程的完整的理念，这就进一步导致后现代的“表征危机”，出现了与现代社会大相径庭的“崭新语言现实”，它剧烈地改变了图文符号原有的交流功能，形成一种为传统批判理论无法解释无法接受的后现代文化。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条