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1)  analysis of musicology
音乐学分析
1.
Fundamentally speaking,the analysis of musicology is a specific research method.
从根本上说"音乐学分析"是一种特定的研究方法。
2)  science of music analyze
音乐分析学
1.
For clarified the fuzzy cognition,and based on the primary sort out their different characters,the writer proposed own idea on united those two analyzes activities in one academic system named science of music analyze.
现在是到了把"音乐分析学"作为一个新的学科概念提出来的时候,即"一门通过建立系统的音乐分析理论、内容和方法,并在分析实践中把厘清音乐作品的结构脉络、确定音乐作品的风格特征并揭示音乐作品的创造性价值和文化意义作为己任的学科"。
3)  analysis of music
音乐分析
4)  music analysis
音乐分析
1.
Explore the Music Analysis for Ravel "Bolero" by Using Digital Audio Technology;
用数字音频手段对拉威尔《波莱罗舞曲》进行音乐分析之探索
2.
This text has done deeper argumentation in question with this,and concurrently touched upon briefly dialectical relation between music analysis and piano performance through the concrete analysis to the work La Cathedrale engloutie of Piano Prelude of Debussy s.
文章还论及了音乐分析与钢琴演奏的"二度创作"及其相互间的辩证关系。
3.
Sketch-based Analysis is a music analysis based on the sketches by composers.
手稿分析(Sketch-based Analysis),是立足于作曲家手稿所作的音乐分析。
5)  musical analysis
音乐分析
1.
By analyzing Runyang’s Musicological Analysis of Prelude and Finale of Tristan and Isolde, the author made some suggestion on discipline development of musical analysis.
通过分析于润洋先生的《歌剧〈特里斯坦与伊索尔德〉前奏曲与终曲的音乐学分析》一文,提出关于音乐分析学科发展的建议。
2.
This paper reflects its composing tact and ideological meaning of scherzo through musical analysis of "Minor B Scherzo".
通过对肖邦《B小调谐谑曲》的音乐分析来反映他谐谑曲的创作手法及思想内涵,揭示了肖邦对前人这类作品的继承和拓展,反映了肖邦在音乐体裁和内容表现的二者关系处理上,大大加重了音乐内容表现的深度,使得谐谑曲这一体裁在肖邦手中又获得了新的发展。
3.
The paper consists of four chapters, which discusses the composition overview, style origin, musical analysis, acoustics features and performance interpretation of the sonatas, with the purpose to provide the theory for the future teaching activities and performance.
本文分为四个章节,从奏鸣曲的创作概况、风格由来、音乐分析、音响特征及演奏诠释几个方面对斯卡拉蒂奏鸣曲进行了研究,以求为今后的教学与演奏提供理论依据。
6)  analysis of computer music
计算机音乐分析
1.
Through the investigation among the same field,conclusions are drawn from the following three aspects which are the expression of computer music,the analysis of computer music and the creation of computer music.
该文通过对国内外同行在计算机音乐中的研究成果进行调研,从计算机音乐描述、计算机音乐分析、计算机音乐创作三个角度进行归类和综述,最终明确了计算机音乐的概念并展望了其发展趋势。
补充资料:比较音乐学
      见音乐民族学。
  

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