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1)  the western ethical motive forces
西方的"伦理动因"
2)  the similarities and differences between the east and west ethical motive forces
东西方伦理动因异同
3)  Ethics of genetics in western world
西方的遗传伦理
4)  ethical motives
伦理动因
1.
From the perspective of ethics, the ethical motives of family enterprise have certain elements and mechanism.
家族企业的成长是个动因系统,以伦理学的视角来讲,家族企业伦理动因具有一定的要素和机制,一般性伦理动因和特定性伦理动因共同推动家族企业的成长。
2.
Familization of enterprise has its own ethical motives,which can be recognized and concluded in terms of the evolution of Confucian culture itself and the limitation of familization of enterprises with"Protestant Ethics"and Confucian culture as its choice and with financial storm of Asia and the coming of .
而作为这一原因的企业家族化 ,有其伦理动因。
5)  ethical motivation
伦理动因
1.
There are ethical motivations in the development of traditional family enterprises.
我国家族企业的繁衍存在伦理动因,而且在家族企业朝向现代企业转化乃至面对知识经济时代的到来,伦理动因仍有其现代价值。
2.
Ethical motivation of charity is the psychological basis of charity, the traditional ethical motivations of charitable cause,including compassionate, religious belief, mutual assistance psychological.
慈善行为伦理动因是慈善行为发生的心理基础。
3.
The development of family business is affected by both the general ethical motivation and specific ethical motivation.
本文以文化-经济的关联性观点作为理论依据,从对温州经验的思索出发并以温州家族企业为例,以伦理学的视角探讨家族企业成长的伦理动因问题。
6)  Western ethics
西方伦理学
1.
Chinese scholars study of western ethics has been coming through a course of more than a hundred years, which may be divided into four periods: germination (1895-1910), preliminary prosperity (1911-1949), depression (1950-1978), and renaissance (1979-2000).
百余年来 ,中国学者们对西方伦理学的研究大致经历了萌生期 ( 1895 -1910 )、初兴期 ( 1911-1949)、萧条期 ( 195 0 -1978)和复兴期 ( 1979-2 0 0 0 )四个阶段。
2.
Responsibility,a key category in western ethics,comes from the freedom of will,and therefore any human being must be responsible for one\'s own choice.
责任概念是西方伦理学中的关键范畴。
补充资料:《当代西方电影的美学思想》
      中国电影理论专著。李幼蒸著。中国社会科学出版社1986年出版。全书分《绪论》、《电影语言》、《电影表现与现实》、《电影"作者"、作品与观众的结构分析》、《反传统电影潮流》和《先锋派电影的实践与理论》 6章21节;介绍了当代西方电影美学研究的重要发展和面临的基本问题;论述了60~70年代西方主要电影美学理论,特别是结构主义和符号学电影理论的基本概念和观点,还涉及电影中的科学研究、哲理表达等问题。
  

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