1) fake praise
虚褒
1.
Although lu s epitaph was a kind of historical data,there are some avoid mentioning and fake praise.
陆游撰写了不少碑志文,他对碑志的认识是站在史学高度的,历代史志对陆游碑志持接纳态度;陆游创作的碑志文中亦有隐讳和虚褒之处,前者可从史料中得以证明,后者囿于碑志实用性,往往难免。
3) Wang Bao
王褒
1.
The Odes to Roaming Swordsmen in the Weijin and Nanbei Dynasties Represented by Cao Zhi,Zhang Hua and Wang Bao;
浅论以曹植、张华、王褒为代表的魏晋南北朝咏侠诗
2.
The Former Poems of Wang Bao and the Trend of Palace-Style Poems in the Southern Dynasty;
王褒的前期诗作与南朝宫体诗风
4) Yang Bao
杨褒
1.
In 1057(the second year of Jiayou),the five responsory poems that Ouyang Xiu,MeiYaochen,Han Wei,Liu Chang and Sima Guang wrote for Zhuomuqu(Wood-Pecking Music) performed by the lute girl slave of Yang Bao family were the specific examples of the responsory poetry with the same subject.
嘉祐二年,欧阳修、梅尧臣、韩维、刘敞、司马光等人为杨褒家琵琶女奴演奏《啄木曲》而作的五首唱和诗,就是同题唱和诗的典型范例。
5) Bao Si
褒姒
1.
The Fable of Bao Si and Its Cultural and Ideological Value;
褒姒的神话传说及其文化思想价值
2.
Two Different conceptions on destiny——Comparison on the fairy tales of Bao Si and Oidipous;
两种不同的命运观念——褒姒神话传说与俄狄浦斯神话传说之比较研究
6) commendatory
[英][kə'mendətəri] [美][kə'mɛndə,torɪ]
褒义
1.
During "the Culture Revolution" in China,the traditional commendatory words were polarized obviously and developed toward two opposite directions.
“文革”时期,传统的褒义词语产生了相当明显的分化,并向正、负两个方向发展。
补充资料：褒中即事
【诗文】：
风吹残雨歇，云去有烟霞。
南浦足游女，绿蘋应发花。
远钟当半夜，明月入千家。
不作故乡梦，始知京洛赊。
【注释】：
【出处】：
全唐诗：卷725-5
风吹残雨歇，云去有烟霞。
南浦足游女，绿蘋应发花。
远钟当半夜，明月入千家。
不作故乡梦，始知京洛赊。
【注释】：
【出处】：
全唐诗：卷725-5
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条