Abstrac This paper introduces the origin of Indian drama,explains the most important features of Indian classicism drama,that is: the reunion results of the dramas,strong estheticism and idealism,unique formality;it fanally analyzes the philosophical and religious reasons leading to the formation of the esthetic features.

It is a unique phenomenon that Chinese ancient operas always end reunion.

At the same time ,the conflicts of the drama are always settled as the model of reunion at the end.

There exists universally a happy ending in opera novels after Song Dynasty.

Fictions about genius and beauty during Ming and Qing Dynasties are almost of happy endings with grading the candidates in the imperial examinations and getting marriage by order of the parents,but lack of the tragedy spirits.

"Grand union" is a kind of special phenomenon of literature in classic literature of our country, it is always found in Song dynasty’s drama and novel.

The happy reunion shows that the Chinese were eager for wise emperors and upright officials,which is the form of plays of Chinese classical aesthetic characterised by such a traditional beauty appreciation,as is sorrowful but not sentimental,complained but not angry.

Through an analysis on Close Relatives and The First Victory,the author of this paper indicates that the narration about war in contemporary Chinese novels has undergone a process of transformation from a happy reunion to the winner s taking nothing.

The happy ending is the spirit being demanded by the public,so the dramatists are willing to describe that.

Writers of this period felt prone to a happy ending in their novels.

This paper tries to explore this question from readers’ psychology for novels about genius and beauty and writers’ creative mentality,and this enabled us to have a clear understanding of the happy ending of the Magic and to deal with it correctly.