3) poem in painting
题画诗
1.
Discussion on the aesthetic value of poem in painting——Concurrent discussion on the aesthetic implication of poem written by Lin Sheng in painting;
试论题画诗的审美特质——兼论林声题画诗的审美意蕴
2.
In the history of Chinese literature and art,writing poem in painting can go back to ancient times,Qu Yuan s Tian Wen may be regarded as the confirmable origination;since Six Dynasties down to Tang and Song Dynasty,it occurred commonly.
林声是诗文书画并作的艺术家,而作画又自题诗,并专成一本自题画诗集则于史少见。
4) poems on paintings
题画诗
1.
It is generally acknowledged by scholars that poems on paintings and the combination of poems and paintings are unique in Chinese art while they are absent in the West.
而在众多题画诗中,山水题画诗尤为突出。
2.
With an overall view of the poetry creation of Gu Kuang,we can get the conclusion that he got superior art achievements in poems on paintings.
通观顾况的诗歌创作,他的题画诗艺术成就极高,想象丰富浪漫,风格奇特怪异,语言通俗易懂、生动活泼,充分体现出他独特的艺术感受力和欣赏力,颇具有“盛唐风骨”。
3.
Li Bai is one of the most influential romantic poets in ancient China and his poems on paintings are unique in style and word choices.
作为我国古代最富有浪漫气韵的诗人李白,其题画诗的风格超迈飘逸,用词也值得反复玩味。
6) painting poems
题画诗
1.
Research of Aesthetics in Huang Tingjian s Painting Poems;
黄庭坚题画诗中的美学思想研究
2.
Liu Houcun s painting poems best illustrate his literary character,providing us with the earliest and also the most vivid memories of the ancient paintings that have long been lost.
题画诗是刘后村文化个性最集中的体现 ,他的题画诗为我们留下了许多古代早已失传的古画的最初也是最生动的记忆。
补充资料：自题小像
灵台无计逃神矢，风雨如磐闇(an)故园。
寄意寒星荃不察，我以我血荐轩辕。
作于：（１９０３年）
许寿裳《怀旧》：“１９０３年他（鲁迅）二十三岁，在东京有一首《自题小像》赠我。”鲁迅于１９３１年重写时题：“二十一岁时作，五十一岁时写之，时辛未二月十六日也。”
寒星：宋玉《九辩》：“愿寄言夫流星兮，”
灵台：(书面语)心灵。神矢，爱神的箭。
故园：祖国。
荃不察：化用《离骚》中“荃不察余之中情兮”句。荃，香草名，隐喻国君。察，体察。中，内心。
荐：献，进献祭品。
轩辕：黄帝，上古帝王，中华民族的始祖，代指中华民族。
首句说留学外邦所受刺激之深,次写遥 望故原风雨飘摇之状,三述同胞未醒、不胜寂寞之感,末了直抒怀抱,是一句毕生实践的格言。(许寿裳《怀旧》)
诗是鲁迅21岁写的，51岁重写。在30年中很少写诗，从这以后才开“诗戒”。这是他言志的宣言。尽管祖国在黑暗中，我没有理由不爱她。虽然满腔热诚不被理解，我只管奉献我青春的热血。何等坚贞、猛烈的爱啊。这是《呐喊》和《彷徨》的先声，也是鲁迅毕生奋斗的标灯和旗帜。30年过去，鲁迅无愧无悔。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条