1) Aoti poetry of "eight-line with seven characters to a line"
拗体七律
1.
Huang Ting-jian s Aoti poetry of "eight-line with seven characters to a line" is one of his best poetry types,but little attention is paid to it and many different definitions are given.
黄庭坚的拗体七律是其成就较高的体裁,但学界对其关注不够,并且对于拗体的界定也众说纷纭。
2) Ao Lu
拗律
3) formal Qilu poem
正体七律
1.
Through a study on the rhyme in DU-Pu s Qilu poems,we can find that when he broke the original rhyme structure to create an aberrant Qilu,Du-Pu abided by the traditional formal Qilu poem.
通过对杜甫七律的声律研究,可以看出杜甫在注意打破原有的声律结构而创作变体七律的同时,也在遵循传统创作正体七律。
4) aoti
拗体
1.
This paper holds that wuti refers to Qiyan Poetry with aolian or quan ao and does not mean what aoti means.
本文认为方回《瀛奎律髓》中“吴体”指有拗联或全拗的七言诗,与拗体所指不同。
6) Qi Lü
七律
1.
Eight Poems of Qiuxing is dominant in Du Fu s Qi Lü poems.
仇兆鳌在注杜甫的《秋兴八首》时,特别标明此八首诗章法都是从四句分截,甚至认为在杜甫一百五十多首七律诗中,四句分截的占了七成,但这种分法与不少元、明、清杜诗注评家的见解大相径庭。
2.
About the poetic themes of Xu Hun s Qi Lü , there is a lot of praise about his poems of nostalgia, but nobody has made a complete and systematic study of his poems.
从时事、怀古、边塞、隐逸、离别等五个方面对其七律的主题内涵进行初步探讨后 ,认为 ,许浑七律题材广泛 ,内容丰富 ,直接或间接地反映了晚唐社会现实 ,真实地记录了诗人的心路历程 ,具有一定的现实意义。
补充资料：拗体
1.见"拗体诗"。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条