2) The bone method uses a center forward
骨法用笔中锋
4) the calligraphy uses the pen
书法性用笔
5) stroke
[英][strəʊk] [美][strok]
用笔
1.
QI Gong, the writer explains QI Gong s penetrating views on dialectical relationship between calligraphy and principle, stroke and structure, inscription rubbings and original calligraphy and paintings.
文章以《论书札记》为中心,阐释书法大师启功先生关于书体与法度、用笔与结字、碑帖与墨迹等辩证关系的精辟论述,及其对发展中国书法理论与实践的巨大贡献,并提出"合度端庄,通达流畅"是"启体"最为鲜明的特色。
2.
In traditional Chinese painting, the line formed by stroke has the functions of representing form, meaning and nature.
国画中用笔所作之线条具有表形、表意、表神之功能,“用笔”一词,源于中国的美学范畴、审美理念、书画源流及其工具材料的运用和发展,它促进了线条运用的研究而成格式。
6) writing techniques
笔法
1.
His adherence to classical literature is well analyzed in this paper from the perspectives of subject,writing techniques,connotation,language and the culture of the south of Yangze River.
本文从题材、笔法、意蕴、语言、江南文化等等方面分析了他对古典文学的良好继承。
2.
This article is an attempt to discuss the successful writing experience of it from four perspectives: theoretical preparation, scholarly writing style, awareness of age, writing techniques.
该文拟结合文本从理论准备、学者型创作风格、时代意识、文学笔法四个方面探讨《张居正大传》创作的成功经验,总结传记文学创作的规律。
补充资料：骨法用笔
骨法用笔 一、中国画技法术语。指国画钩线、点戳，用笔应有动物的“骨力”，以比拟用笔的功力。《笔阵图》：“善笔力者多骨，不善笔力者多肉；多骨微肉者谓之筋书，多肉微骨者渭之墨豬；多力丰筋者圣，无力无筋者病。”二、中国古代品评人物画的标准之一。《古画品录》所举“六法”将“骨法用笔”列为第二。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条