1) formal Qilu poem
正体七律
1.
Through a study on the rhyme in DU-Pu s Qilu poems,we can find that when he broke the original rhyme structure to create an aberrant Qilu,Du-Pu abided by the traditional formal Qilu poem.
通过对杜甫七律的声律研究,可以看出杜甫在注意打破原有的声律结构而创作变体七律的同时,也在遵循传统创作正体七律。
2) Aoti poetry of "eight-line with seven characters to a line"
拗体七律
1.
Huang Ting-jian s Aoti poetry of "eight-line with seven characters to a line" is one of his best poetry types,but little attention is paid to it and many different definitions are given.
黄庭坚的拗体七律是其成就较高的体裁,但学界对其关注不够,并且对于拗体的界定也众说纷纭。
4) Qi Lü
七律
1.
Eight Poems of Qiuxing is dominant in Du Fu s Qi Lü poems.
仇兆鳌在注杜甫的《秋兴八首》时,特别标明此八首诗章法都是从四句分截,甚至认为在杜甫一百五十多首七律诗中,四句分截的占了七成,但这种分法与不少元、明、清杜诗注评家的见解大相径庭。
2.
About the poetic themes of Xu Hun s Qi Lü , there is a lot of praise about his poems of nostalgia, but nobody has made a complete and systematic study of his poems.
从时事、怀古、边塞、隐逸、离别等五个方面对其七律的主题内涵进行初步探讨后 ,认为 ,许浑七律题材广泛 ,内容丰富 ,直接或间接地反映了晚唐社会现实 ,真实地记录了诗人的心路历程 ,具有一定的现实意义。
5) Qi Lv
七律
1.
this thesis tries to illustrate the art accomplishment of Li Shangyin’s qi lv through analyzing his qi lv’s three outstanding characteristics.
本文通过分析李商隐七律的三个突出特点,试图说明李商隐七律的艺术成就。
6) seven-character regulated verses
七言律诗
1.
The poet LUO Yin of late Tang Dynasty ranked the second in number of seven-character regulated verses among all the composers in Tang Dynasty.
晚唐诗人罗隐的七言律诗数量居唐人第二,内容涉及时政、友情、登临、咏物、酬赠等。
补充资料：正体
| 正体 合乎字书规范的汉字字体。汉字从篆书变为隶书，隶书 发展为真书，自魏晋开始，字体的偏旁结构已趋于一致。书 写时要求符合字书的写法 ， 凡合乎一般规范的就称为正体。正体的名称在唐代颜元孙的《干禄字书》中已经出现。但民间写字，往往有一些别体字，与正体的笔画有不同，因而有俗体的名称。正体与俗体有时对称。如召俗作，牀俗作床，单俗作。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条