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1)  intrinsic rhythm
内在韵律
1.
In order to probe into this question,the article seeks help from the concept of the so-called intrinsic rhythm.
对诗歌具有决定意义的是诗歌的内在韵律而非其外在韵律,判断译诗韵律处理是否得当的标准应该是译文是否有效地传达出了原作诗歌的内在韵律
2.
Theory of “intrinsic rhythm” of poetry is the way to avoid disadvantage of theory of “natural rhythm and rhyme”.
诗的“内在韵律论”是救治早先“自然音节论”的偏颇的药方。
2)  extraneous rhythm
外在韵律
1.
Kang Baiqing was the first to mention this theory,while Guo Moruo proposed it definitely,declaring that intrinsic rhythm,opposing to extraneous rhythm,is just rising and falling of feelings.
郭沫若则明确提出这个理论,认为内在韵律就是“情绪的自然消涨”,它与诗的外在韵律相对。
3)  internal law
内在规律
1.
It studies mainly the internal laws of production of new words, word meaning variation and the internal connections among the polysemous words on the basis of human experiences.
以人类经验为基础,探讨旅游英语新词的产生、词义演变的内在规律,以及多义词之间的内部联系。
4)  inherent law
内在规律
1.
Discussion on the inherent law of ideological and political work;
试论思想政治工作的内在规律
2.
in order to further understand the inherent laws and the mutual relation of electrical machines.
本文试图用交流观点 ,分析直流电机的几个关键问题 ,以期再一次认识电机的内在规律和相互联
5)  inherent rhythm
内在律
1.
Guo Moruo was the first one who had discovered and applied the inherent rhythm in the New Poetry to replace strict external rules in classical poetry,and this was an important contribution to the New Poetry.
郭沫若最早发现并在新诗创作中成功地运用了基于情绪消长起伏的内在律以代替旧体诗的固定的外在格律,这是他对新诗艺术的重大贡献。
2.
There are great achievements made by some eminent poets of classical poem,but because of confining to old rhythm and abandoning inherent rhythm of new poem,Classical Poem cannot express the complicated thoughts of modern people and cannot exert the merits of.
新诗占据诗坛主流地位后,旧体诗仍在延续,且不乏佳作,但近人旧体诗属于古典美学范畴,虽然一些杰出的旧体诗人取得了重大成就,但由于拘守旧格律而拒斥新诗的内在律,因而难以胜任表现现代人复杂内心世界的任务,同时也难以发挥现代汉语的特长。
3.
It is impossible to reject the mood-based inherent rhythm.
造成其局限的原因之一是,旧体诗必须遵守以语音规则为核心的外在律,因而不能不拒斥以诗情的抑扬变化为基础的内在律。
6)  immanent melody
内在旋律
补充资料:韵律
1.亦作"韵律"。 2.声韵和节律。指诗词中的平仄格式和押韵规则。引申为音响的节奏规律。 3.指某些物体运动的均匀的节律。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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