1) taking characters as Ci
以文字为词
1.
This common inclination was mainly embodied in the writing thought of taking characters as Ci, taking talent and learning as Ci and taking comments as Ci.
这主要体现在他们“以文字为词、以才学为词、以议论为词”的创作观上。
2) character as word
以字为词
3) Using Text to replace Ci
以文为词
1.
The article is based on the text of Xuxi and proceeds Liu s reception of Jiaxuan, mainly by the analysis of the rhetoric and its spirit, from the following two points: (1)figure of Bixing and symbolism;(2)Xuxi s characteristic of using text to replace Ci.
以须溪“文本”为基点,从须溪词的比兴象征与须溪以文为词的特征两方面对须溪从词体和词体精神两方面接受辛稼轩作一初步的探讨。
4) compose ci by rules of writing poems and prose
以诗文为词
5) On the Characteristics of "Writing Ci-Poems in Prose Style"
略论"以文为词"
6) Regarding Poetry as Ci
以诗为词
1.
On the Meaning of "Regarding Poetry as Ci" by Su Shi;
苏轼“以诗为词”涵义综论
2.
The regarding poetry as ci is not only the change of artistic technique,but also the change ideas of ci.
“以诗为词”不仅是创作方法的更新,而且是词学观念和词学意识的改变。
补充资料：如此江山 泛曲阿后湖 曲阿词综曲阿词综中，
【诗文】：
依依杨柳，青丝缕、掩映绿波南浦。燕掠横斜，鳞游荡漾，恰是湔裙时序。清泠如许。恍镜影空磨，簟痕密聚。欲问伊人，且自溯洄前渚。并倚木阑无语。到来还、远树遥山，凝眸同睹。雁齿参差，＊流逦迤，多少鸥群鸳侣。最饶闲趣。且酒斟绿蚁，玉杯时举。＊乃一声，移入柳阴深处。西半夜惊罗一首，乃黄 词。 眼儿媚萧萧江上荻花秋一首，乃张孝祥词。堞恋花越女采莲秋水畔一首，乃欧阳修词。相见欢无言独上西楼一首，
【注释】：
【出处】：
依依杨柳，青丝缕、掩映绿波南浦。燕掠横斜，鳞游荡漾，恰是湔裙时序。清泠如许。恍镜影空磨，簟痕密聚。欲问伊人，且自溯洄前渚。并倚木阑无语。到来还、远树遥山，凝眸同睹。雁齿参差，＊流逦迤，多少鸥群鸳侣。最饶闲趣。且酒斟绿蚁，玉杯时举。＊乃一声，移入柳阴深处。西半夜惊罗一首，乃黄 词。 眼儿媚萧萧江上荻花秋一首，乃张孝祥词。堞恋花越女采莲秋水畔一首，乃欧阳修词。相见欢无言独上西楼一首，
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条