"Collection of New Poetry" and Emergence of Chinese New Poetry by Jiang Tao takes "Collection of New Poetry" as "the core of the event" and returns to the scene where the new poetry turned up.

The establishment of New Chinese Poetry has its poetic reason: peots in those days felt difficult to create new poetic beauty in the traditional Chinese poetic forms.

Its form made modern Chinese poetry diversified in form.

In the present paper,the author selected Chinese representative modern and contemporary poems on description for the death of beauty in the perspective of aesthetic critical dimension,then from the aspects of fate and social criticism,the paper interpreted and analyzed excellently the tragic content of death imagine in 20th century Chinese modern poems.

Chinese modern poems is not only facing the unconcerned exterior plight of being isolated by the social mass,but the interior plight in the aspects of poetry composing,reading,and criticizing.

Based on the premise of the monism of poems, the evaluation criterion of Chinese modern poems hasn t been straighten out seriously yet.

Beauty and the call of nature of life——Shao Xunmei and Chinese modern poetry;

On the great influence of the shape of English poetry to Chinese modern poetry and its transform of style in China;

The Impact of Christianity Culture in Chinese Modern Poetry;

A Research on the Influence of Introduction and Translation of Foreign Poetry on the Occurrence of Chinese New Poetry;

Just under the promotion and acceleration of these factors above-mentioned ,the Chinese New Poetry could develop along with the folk songs and achieve great accomplishment.

Formation and change of the discourse mode of Chinese new poetry before and after the May Fifth Movement was characterized by change with the absence of individual life (self), presence to absence forming a cycling process.