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1)  poems in classic style
古体诗歌
2)  Classical poetry
古典诗歌
1.
Three aesthetic patterns of"Taking nil as existence"in creation of classical poetry;
古典诗歌创作“以无为有”的三种审美范型
2.
Liang Qichao and some others explicated the beauty of implicitness of classical poetry in the light of modern context,holding that implicitness was a means of expressing feelings employed in classical poems.
中国古典诗歌的含蓄美是诗人对宇宙和人生的体悟中得出的审美情感归结。
3.
Like a rich,sultry film,Chinese classical poetry not only possesses a very strong sense of pictures,but also certain circumstances.
中国古典诗歌不仅有着极强的画面感,同时也有一定的情节内容,犹如一部内蕴丰富的电影。
3)  ancient poem
古代诗歌
1.
Aesthetics that China’s ancient poem translates from Chinese to English is explored;
中国古代诗歌汉译英的美学探索
2.
The change that ancient poems account pretty large percentage in the textbooks suggests that people share stronger awareness that it is vital to maintain national spirits and styles in today s globalized world.
在教材中,古代诗歌占了相当大的比重,这一变化表明人们越来越清楚地认识到,在全球经济一体化越来越明显的今天如何保持民族精神和风格的重要性。
4)  Ancient Poetry
古诗歌
1.
Rise and Fall of Ancient Poetry from Perspective of Music Literature;
从音乐文学的角度看古诗歌之兴衰
5)  classical poetry
古代诗歌
1.
Looking back upon the history of Chinese education, we will notice that chanting is a consistent way for teaching classical poetry.
本文研究在高中古代诗歌的诵读教学中,培养学生的审美能力,使传统教学方法能够在新的教学理念指导下,焕发勃勃生机。
6)  Ancient Poetry
古代诗歌
1.
Discussion on the reflection of ancient Chinese textile culture in Chinese ancient poetry;
谈中国古代诗歌对中国古代纺织文化的折射
2.
The ancient poetry of France is a gem of French literature.
法国古代诗歌是法国文坛上的一块瑰宝,其艺术表现形式多姿多彩。
3.
This paper starts with the analysis of artistry in the light of comparison between different realms,discussing the aesthetic pursuit of implicit art of ancient poetry.
含蓄美是中国古代诗歌的美学追求,历来为诗歌创作者和诗评者所重视。
补充资料:古体
1.古人诗歌﹑文章的体式和风格。 2.指古体诗。相对近体诗而言。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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