1) metaphysical painting school
形而上画派
1.
Creco, the outstanding representative of the metaphysical painting school in Italy in the late 19th century, had great influence in the history of western modern art.
契里柯是19世纪末、20世纪初意太利形而上画派的杰出代表。
2) Metaphysical Painting
形而上绘画
1.
Learning from the Germany Symbolism, adding his thinking and understanding about philosophy and science, as well as the glorious tradition of Italy, Chirico created a unique art style, Metaphysical Painting.
20世纪意大利籍艺术家乔吉奥·德·基里柯早年吸收德国象征主义艺术传统的营养，融入自己对哲学理论的思考、对科学研究的兴趣，以及对意大利伟大传统的理解和运用，创作出形而上绘画这一独特的艺术风格。
3) Reflection on the Metaphysical Thought of Painting
绘画的形而上之思
4) Shanghai painting school
海上画派
1.
The early Shanghai painting school and Wu Changshuo experience different society circumstances.
早期海上画派与吴昌硕后期所处的社会环境有所不同,早期海上画派的绘画观念较多地受到市场的影响,而吴昌硕的绘画思想较多地受到文化的影响。
2.
He was the pioneer of the "Shanghai Painting School" in the painting history, and initiated the "Epigraphy Painting School" with the techniques of the handwriting and seal blended into the paintings, which exerted a tremendous influence on the development of freehand brushworks of flower-and-plant paintings in modern times; with regard to calligraphy, he was the activ.
在绘画上,他是“海上画派”的先驱人物,其以书、印入画所开创的“金石画派”,对近代写意花卉画的发展产生了巨大的影响;在书法上,他是清代碑学理论的最有力实践者,其魏碑体书风的形成,使得清代碑派技法体系进一步趋向完善,从而成为有清一代第一位在正、行、篆、隶诸体上真正全面学碑的典范;在篆刻上,他在前人的基础上广为取法,融会贯通,以“印外求印”的手段创造性地继承了邓石如以来“印从书出”的创作模式,开辟了一个前所未有的新境。
6) metaphysics
[英][,metə'fɪzɪks] [美]['mɛtə'fɪzɪks]
形而上学
1.
From the Steps of Divinity to Metaphysics——The study of the technological philosophy thoughts of Desssauer;
从神学阶梯走向形而上学——德绍尔技术哲学思想研究
2.
Mathematical truth: from divine metaphysics to human cultural construction—Comment on “Mathematics： The Loss of Certainty” by Morris. Kline;
数学真理:从神性化的形而上学到人性化的文化构建──兼评M.克莱因的《数学:确定性的丧失》
3.
A Preliminary Research into the Metaphysics:A Reply to Mr.Chen Ming;
形而上学略论——回复陈明先生
补充资料：形而上画派
| 形而上画派 Metaphysical School 意大利美术流派。1917年由G.de基里科和C. 卡拉在费拉拉发起。形而上画派追求画面图像的哲学意味，探索超时空物体组合形式的非逻辑秩序，描绘冷漠孤寂的神秘感和梦幻效果。其基本特点：①光线与投影，如基里科《预言者的报酬》中斜射的光线与长长的投影。②透视与图式，基里科与卡拉画中采用规整和多点透视的不合理组合造成现实的空间。③色调与氛围，单纯低沉的色调，画面的神秘与不祥的梦境。
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说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条