The "Wei" in Chinese classical poetics mainly embodies in three aspects: the first is praising "Wei" as the poetry aesthetic root;the second is probing its aesthetic characteristic and demand;the third is inspecting its creating and product.

In fact,Tagore inherited and developed the writing ways and aesthetic judgment advocated by Indian classical poetics while he pursued the modernity.

Knowledgeability was always present in the formation and development of Chinese classical poetics.

The criticism on orthodox school and variation of Chinese ancient poetry has gone through five stages:the pre-Tang Dynasty,the producing and beginning stage,the Tang and Song Dynasty,the lying low and expanding stage,the Yuan Dynasty,the changing and rising stage,the Ming Dynasty,the flourishing and deepening stage,and the Qing Dynasty,the deepening and dispelling stage.

The discussion on Chinese poetical meters in view of ancient poetry is carried on mainly in four aspects: the first is a parade of the meter as the root of poetic aesthetic;the second,a probe into its aesthetic characteristics and requisition;the third,an inspection of its creation and production; the fourth,introspection on the poetical meter theory.

There exist various time factors in classical poetry.

So, Chinese classical poetry Pays great attention to the relations between emotion and art, and further more, gives a full interpretation to the emergences and the types of art in its own view.

Du fu and Tao yuanming are Wang anshi\'s poetry idols.