1) criticism of Ming poetry
明诗批评
2) literarycriticism in th eMing Dynasty
明代诗学批评
3) the criticism of Ming Dynasty on the poetry of Han,Wei and Six Dynasties
明代中古诗歌批评
4) poetry criticism
诗歌批评
1.
His poetry criticism not only has the features of the age but is also resounded with individual characteristics because o.
非同寻常的经历和学识使其诗歌批评既富有时代色彩,又充满了个性特征。
2.
LU Shiyong greatly apply the category of "Yun","Qu","Wei" to detailed appreciate and criticize poets and poems in his poetry criticism;by this base,he make the theoretical explanation to the three aesthetic categories,the contents mainly show: praising them as the poetry aesthetic root;probing their aesthetic characteristic;inspecting their creating and production.
陆时雍在诗歌批评中大量运用“韵”、“趣”、“味”等审美范畴,对诗人诗作予以了细致的赏会与论评。
3.
Wu Si-jing reveals as a kind of spirit of poetics personality on one hand, and as the principle of idea and logic carrying out in his poetics exploration in a wide range on the other hand, which forms the central idea, logical clue and critical criterion in his construction of fundamental poetics theory and poetry criticisms.
"主体性"在吴思敬那里一方面表现为一种诗学人格精神,另一方面也作为观念原则和逻辑原则贯穿在其全方位的诗学探索中,并由此构成其诗学基本理论的建构和诗歌批评的中心观念、逻辑脉络和评判标准。
5) poetic criticism
诗歌批评
1.
The poetic criticism in the Chinese ancient literature essay WENXINDIAOLONG forms by itself a theoretic system.
《文心雕龙》中的诗歌批评自成理论体系 ,其一是《明诗》篇中对诗歌抒发情志的特征作了较为深入的探讨 ;其二是《情采》篇中强调诗的缘情审美特性 ,提出“为情造文” ,达到诗歌创作中情理并存、情志并重的状态 ;其三是《知音》篇中提出了较为完整的诗歌批评鉴定理论 ,对诗歌鉴赏的主体和客体诸方面因素作了细致的分析 ;其四是《神思》、《隐秀》篇中对诗歌意象的深入探索 ,指出诗歌的特点就在于意存象中、隐在秀中 ,主客观相通 ,物我交融等 ,这些都是刘勰对中国诗论的重大贡献。
6) poetry criticism
诗学批评
1.
It reflects a unique concept of poetry criticism in ancient China.
在诡异奇幻的形式下,它反映出中国古代一种独特的诗学批评观念,它的存在有深刻的历史文化因素,是作家生命形态与艺术风格紧密联系的结果。
2.
The development of the Chinese ancient poetry criticism on "mei" in poetry goes through three stages: it was roughly pregnant with and spread out before the Tang Dynasty.
"媚"是古代诗学批评的重要审美范畴,它既代表着诗家的美学旨趣和审美品格,也体现出文体规范转变。
3.
The political education criticism in view of the poetry theory since the Song Dynasty perfects the connotation of the previous political education poetry criticism and,on the other ha.
宋以降诗学批评视野中的政教之论,主要体现在三个方面:一是对诗歌教化功用的论说;二是对温柔敦厚诗教原则的阐说;三是对诗歌政教批评观念的消解。
补充资料：四明山诗·樊榭
【诗文】：
樊榭何年筑，人应白日飞。至今山客说，时驾玉麟归。
乳蒂缘松嫩，芝台出石微。凭栏虚目断，不见羽华衣。
【注释】：
【出处】：
全唐诗：卷622-41
樊榭何年筑，人应白日飞。至今山客说，时驾玉麟归。
乳蒂缘松嫩，芝台出石微。凭栏虚目断，不见羽华衣。
【注释】：
【出处】：
全唐诗：卷622-41
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条