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1)  chuangzaopai
创造派
2)  Chuang Zao She
创造社
1.
The Comprehensive Exploit of the Private Literature——A study about the literature produce of the forepart leaguers of Chuang Zao She;
自我文学的全面拓展——初期创造社同人的文学创作新探
2.
The Classical Course s Study of the Group of Chuang Zao She;
创造社“社团”研究的经典化进程
3)  the Creation Society
创造社
1.
The Romantic and Sentimental Style of Literary Criticism of The Creation Society;
浪漫情怀下的感伤与夸饰——论前期创造社的文学批评风格
2.
Under the pressure of the Society of Literary Studies, the Creation Society fought their way and became the most important translator of Western literature .
创造社与文学研究会间的论争实肇端于翻译问题。
3.
This paper is to introduce the Creation Society 抯 translation and exploration of Neo-Romanticism in three aspects: the cultural thought of Nietzsche and Freud抯 non-rationalism, symbolism and aestheticism.
“新浪漫主义”是创造社文学探索的一个重要部分。
4)  Creation Society
创造社
1.
The Depiction of the Desire Under the Self-identity——studying the novels of main writers in the heyday of The Creation Society;
自我认同下的欲望言说——以创造社全盛时期主要作家小说创作为例
2.
Free Leisure-the Emotional Structure of Creation Society s Novel;
自由舒徐的艺术风采——创造社小说的情绪型结构方式
3.
"The Literature Dream"of Early Creation Society;
创造社前期的“文学梦”(上)
5)  Chuangzaoshe
创造社
1.
ChuangZaoShe\'s translation about the Western "end-of-century" decadence literature lasted through the whole historical process of its development and it went through a parabola development from the early hidden to the explicit and then to vanishing time.
创造社对西方"世纪末"颓废文艺的译介贯穿了其发展的整个历史进程,并经历了一个由隐而显再到消退的抛物线式的发展轨迹,对创造社同人文学思想及其创作都产生了极其深远的影响。
6)  the Literary Creation Society
创造社
1.
Modern Japanese Society and the Formation of New Ideas on Love and Marriage among the Members of the Literary Creation Society;
近代日本社会与创造社知识群体爱情婚姻观的形成
2.
Writers of the Literary Creation Society widely had interests in the European literature thought of the 19th Century when they were studying in Japan.
创造社作家留学日本期间,普遍对19世纪末欧洲文艺思潮产生了浓厚的兴趣。
补充资料:创造派
      朝鲜现代最早的唯美主义文学流派,由在日本东京留学的金东仁、朱耀翰、田荣泽、金焕等人发起组织。1919年 2月他们在东京创办了朝鲜第一个文学刊物《创造》。"3.1"运动爆发后,移回国内出版。1921年5月终刊,共发行9期。他们发起纯文学运动,追求文学的艺术价值,提倡艺术至上主义,反对所谓"政治文学观"。但是,他们的作品或同一个人的作品,倾向也不完全一致,唯美主义、自然主义、象征主义的倾向都有。这一派的代表作品有金东仁的短篇小说《船歌》、《狂画师》,田荣泽的短篇小说《天痴?天才?》,朱耀翰的诗《萤火会》等。
  

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