1) aesthetic individuality
审美个性
1.
From the perspective of aesthetics,the emergence of dialect programs is the need of receptor culture aesthetic approaches,the demonstration of traditional aesthetic approaches,the expression of regional aesthetic approaches and selection of aesthetic individuality.
从接受美学层面来说,方言栏目的兴起,是受众文化审美接近性的需求、传统审美接近性的体现、地域审美接近性的表达和审美个性的选择。
2.
The final goal is to cultivate students aesthetic individuality.
英美文学教学首先需要更新文学观念,其次是要在教学中选择好文学文本,教学的最终目标是培养学生的审美个性,并进而通过审美教育,提升本民族国民的素质。
2) aesthetic personality
审美个性
1.
It is consistently full of the aesthetic emotion and individual character of the editorial subject,the aesthetic personality of which is the base of ever lasting vitality,where as the aesthetic principle is the key to the political and academic quality for the journal.
编辑活动是一项以创造社会审美价值为目标的脑力劳动 ,自始至终充斥着编辑主体的审美情感和审美个性特征。
3) aesthetic psychology
审美心理
1.
Synaesthesia-Aesthetic Psychology of Su Shi s Poetic Life;
通感—苏轼诗意生活的审美心理
2.
Consideration of synergism of elements with human aesthetic psychology in design
关于设计中元素与人的审美心理相协同的思考
3.
Analyses of facility construction of agritourism demonstration zone based on aesthetic psychology
从审美心理角度解读农业旅游示范区旅游设施建设
4) aesthetic mentality
审美心理
1.
The relationship between architectural spatial art and human aesthetic mentality;
建筑空间艺术与人的审美心理的关系
2.
Starting with the native-color phrasing of his writings,this paper analyzes the native-color phrasing bent in the descriptions and dialogues of his writings,and reveals the features of his language and his aesthetic mentality.
在此从纳张元本色化的语言入手,分析纳张元作品中的本色化描述语和本色化对话语,进而分析纳张元作品的语言特色及审美心理。
3.
Advertising is a mass art,complying with the social conventions and customs and satisfying the mass aesthetic culture level and aesthetic mentality.
广告是一门大众化的艺术,它要遵循社会文化习惯和迎合大众的审美文化水平和审美心理。
5) aesthetical psychology
审美心理
1.
The problem of aesthetical psychology is handled from the aspects of the course and characteristics of aesthetical psychology.
审美心理过程主要有三个阶段 ,即审美期待、审美展开和审美弥散。
2.
Against the background of the Shanghai area culture, this paper systematically reveals the two traditions of shanghai styled film in the history, analyses its aesthetical characters such as pioneering spirit,pragmatism and secularity, and delves into the inner reasons for the change of aesthetical psychology of Shanghai audience as time goes on.
本文从上海地域文化背景着眼 ,较系统地阐析了海派电影诞生伊始便形成的“影戏”、“传道”两个传统 ,开拓性、务实性、随俗性等美学特征 ,以及上海观众审美心理随时代发展而嬗变的内在动因。
6) taste psychology
审美心理
1.
China is an age-old magnetic nation with particularly steady taste psychology mode.
中国是一个神秘的文化古国,在漫长的历史中产生了独特的审美心理模式。
2.
Studies on the illogic thinking, taste psychology and visual psychology of ultra-realism can reveal the process of visual transformation design and the component of visual structure more integrally.
分析研究超现实的视觉心理、审美心理以及非逻辑思维,能够获得视觉传达设计过程和视觉结构构成的更完整表达。
补充资料：审美个性
审美个性
aesthetic personality
审美个性(aesrhetie personality)人在审美意识活动中创造的理想人格。它以现实个性为基础，是现实个性的升华。它是超个性的最高发展形式，是审美意识的核心。它以其独特性、充分性和稳固性体现着艺术风格。它使审美反映实现了现象与本质、偶然与必然、个性与共性的高度统一，使审美意识有别于科学意识和道德意识。“现实个性一审美个性一艺术风格”的变化顺序，揭示了艺术发展的本质。它受艺术家个性发展水平、生活体验、世界观、艺术修养等因素的影响。 债冬梅撰张舟玮审)
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条