1) drama in the rear area
大后方戏剧
1.
Observed from various angles, the functional concept of drama in the rear area was open, and not restricted nor overwhelmed by others.
抗战时期大后方戏剧是以宣传、鼓动职能为起点来建构其功能系统的 ,但并不意味着大后方戏剧只是宣传鼓动的戏剧。
2) later plays
后期戏剧
1.
Proceeding from human nature,this paper probes into the special characteristics of (O Neill s) later plays in exposing the phenomenon of man s daydreaming.
从人性的角度来探讨奥尼尔后期戏剧的创作主题 ,像白日梦这一精神现象 ,在奥尼尔的创作中具有独特的表现及深刻的思想意
4) western drama
西方戏剧
1.
Identical Image,Different Culture——A Comparasion on Performance Mode of Ghost Between Chinese Opera and Western Drama;
同类形象异样情——中国戏曲与西方戏剧中的鬼魂形象表现模式之比较
2.
It is clear that he has experienced from criticizing Chinese Xiqu to praising it with reference to Western drama,which interestingly indicates the change of Chinese intellectuals attitude to traditional Chinese culture.
齐如山研究戏曲是因为对西方戏剧的兴趣 ,经历了一个始于否定而终于肯定戏曲的过程。
3.
Both Eastern and Western Dramas originated from the primitive sacrificial rites, with their common basis on primitive thoughts.
东西方戏剧最初同出于原始祭祀仪式,它们的共同基础建立在原始思维之上。
5) Eastern Drama
东方戏剧
6) local operas
地方戏剧
1.
When the clan society was formed in West Fujian in the mid-Ming Dynasty,the local operas there began to flourish as well.
闽西地方戏剧与社会经济变迁呈现出复杂的关系。
补充资料：战斗后方指挥(见后方指挥)
战斗后方指挥(见后方指挥)
combat rear command
znandou houfang zhihui战斗后方指挥(eombat rear。ommand)见后方指挥。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条