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1)  a subtilized and far-reaching aestheticism
蕴藉清远
1.
The text examines the production of Ci-poems at that time and the related materials and arrives to the following conclusion: that the ideas of the Ci-poetics in this period were represented in three aspects as follows: Ci-poetry, as a type of poetry, had come into being; a subtilized and far-reaching aestheticism was m.
本文通过对当时的词作及有关材料进行辨析 ,认为此时期的词学思想主要表现在三个方面 :即诗词一体的词体观 ,蕴藉清远的审美理想以及对盘泊的创作心态的追求。
2)  profundity in meaning
深远蕴藉
3)  implication [英][,ɪmplɪ'keɪʃn]  [美]['ɪmplɪ'keʃən]
蕴藉
1.
His prose has the following characteristics: first,combination of emotions and reasoning is full of implication;second,the language is elegant and lucid.
刘志坚是当代具有独特风格的散文家,其散文的主要特色表现为两点:一是情理交融,富于蕴藉;二是语言流转,清丽活泼。
4)  reserved and refined sentiment
蕴藉含蓄
1.
The poem which uses words to express one s emotion becomes the first and guiding principle of china poetry,but this kind of lyricism is controlled and limited with reserved and refined sentiment and also expressed the beauty of emotion and reason.
然而,这种抒情却又是有节制、有限度的蕴藉含蓄之情,表达出一种情理兼容的“中和”之美,形成温柔敦厚的诗风,成为历代文论的批评内容,并且影响到后世诗歌的创作。
5)  profound culture
蕴藉性
1.
This paper dwells on the lasting and stability, spiritualism-casting and profound culture of Li Bai s landscape poems from the three above-mentioned aspects of beauty, hoping to help the readers understand the aesthetic value of the landscape poems of Li Bai thoroughly.
李白山水诗具有形态美、意象美和历史感,文章即从这三个审美层面深入论述其恒稳性、铸灵性和蕴藉性,以求得对李白山水诗审美价值的纵向把握。
6)  significance from aesthetic perspective
审美蕴藉
补充资料:范以善云林清远馆
【诗文】:
华阳范监居幽眇,不到元窗未易逢。
山气半为湖外雨,松声遥答岭头钟。
常闻神女骑龙过,亦有仙人控鹤从。
安用乘流三万里,小天元在积金峰。



【注释】:



【出处】:
元诗别裁集
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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