1) contemporary zheng music
当代筝曲
2) modern Guzheng music
现代筝曲
5) Chaozhou zheng music
潮州筝曲
1.
The paper summarized some features of Chaozhou zheng music with notation,modes,variation,banshi(tempo in Chinese folk music),temperament,and performance technique,as well as the representative player Xu Shoucheng and his individual characteristic.
潮州筝曲总体上承袭了潮州细乐与弦诗乐清新细腻的音乐风格,不同筝家的订谱和演奏在遵循流派共性风格的基础上又体现了各自的个性特点。
2.
Besides the consistency of clappers number and key tone,player can play Chaozhou Zheng through the utilization of"making sentence",therefore,people should acquaint with various tunes of Chaozhou music,as well as its playing style,so that Chaozhou Zheng music can evolve the smooth,gentle and graceful tune charm.
潮州筝曲具有独特的艺术魅力,它的调性、调式概念不同于其他民族调式和西洋调式。
6) traditional zheng music
传统筝曲
1.
Compared with traditional zheng music, modern one has enriched in its form but regressed in spirit.
当代筝曲在古筝形制上(普遍仍用21弦S型钢丝尼龙弦筝)、弹奏技巧上(充分挖掘左手技巧)、作曲技法上(学习西方作曲技法)比传统筝曲丰富了许多。
补充资料：鸣筝曲
【诗文】：
断虹落屏山，斜雁着行安。
钉铃双呎木，错落千株拌。
愁龙啼玉海，夜燕语雕阑。
只应桓叔夏，重起为君弹。
【注释】：
【出处】：
断虹落屏山，斜雁着行安。
钉铃双呎木，错落千株拌。
愁龙啼玉海，夜燕语雕阑。
只应桓叔夏，重起为君弹。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条