1) Taoism poems which females are inclined to oems c
女性向道诗
2) female poem
女性诗歌
1.
The Shaking Pyramid ——Two family images of female poems in the new period;
动摇的金字塔——新时期女性诗歌中的两个家庭意象
2.
The contemporary female poems which extrude sex consciousness emerged in the middle period of 1980s,and its most outstanding space is female self-writing.
真正张扬性别意识的中国当代女性诗歌从20世纪80年代中期开始浮出地表,其最鲜明和为人瞩目之处在于对女性自我的书写。
3.
The new composition tendency brings great changes to the female poem.
新的写作倾向给女性诗歌创作带来了改变。
3) feminist poetry
女性诗歌
1.
On the consciousness of darkness in early contemporary Sino-American feminist poetry;
论当代中美女性诗歌兴起时期的黑暗意识
2.
Based on researches of female consciousness--- body, maternity, sex and life ones and their expressions in contemporary feminist poetry, this paper aims to expound the existence and value of feminist poetry as well as the vicissitude of female consciousness through the reading and comparison of three female writer s writing, to wit, Shu Ting, Zhai Yongming and Zhou Zan.
本文试图通过对当代女性诗歌中的女性意识的挖掘,尤其是探讨身体意识、母性意识、两性关系、生命意识在诗歌中的反映,来阐述说明女性诗歌的存在及其意义,并通过解读、比较以舒婷、翟永明、周瓒和尹丽川为代表的三代女诗人的写作来阐述女性诗歌中的女性意识变化情况。
4) feminine poetics
女性诗学
1.
it actually make out female self-life experience, create a bran-new word of female experience_ "dark night ",accordingly form a sort of feminine poetics which di.
80年代的女性诗歌作为女性心灵的直接展示 ,由最初的追求真善美 ,呼唤人的尊严与平等到力图从男性巨型话语中浮现出来 ,在性别对抗与文化解构方面显得十分大胆与突出 ,对女性自我生命经验进行真实的书写 ,创造了一个全新的属于她自己的女性经验世界——“黑夜”,从而逐渐形成一种有别于一般文学史叙事的女性诗学存
5) female poetry
女性诗歌
1.
Development of the Subject Consciousness in 20th-Century ChineseFemale Poetry;
20世纪中国女性诗歌主体意识发展概观
2.
Their talented creation is shown in the poems in an effort to help women obtain more of "anti-tradition" and "anti-loftiness" shown in contents of female poetry.
在形式上,则大胆移植西方现代诗歌的技巧,诸如自白方式、独特的结构与意象、怪诞的语言等,从而使20世纪80年代后期的女性诗歌呈现出鲜明的现代诗学特征。
6) poetesses
女性诗人
1.
In view of this situation, several poetesses in the Bai Yang Dian verse community are of irreplaceable value in the history of new verse.
基于此,白洋淀诗群中的几位女性诗人就具有不可替代的新诗史价值。
2.
With reference to the poets in the same period ,the paper attemps to study the creation of the 13 poetesses chiefly who were selected and compiled by 《 Yu Tai Xin Yong》 .
本文试图以《玉台新咏》所选录的十三位女性诗人创作作为研究主体,以同时期的男性诗人创作为参照,透析隐含在这本“以写女性为主”且被称为“艳诗”选集背后的女性诗人的生存状态和创作态度。
补充资料：途中口号（一作郭向诗）
【诗文】：
抱玉三朝楚，怀书十上秦。年年洛阳陌，花鸟弄归人。
【注释】：
【出处】：
全唐诗：卷99_25
抱玉三朝楚，怀书十上秦。年年洛阳陌，花鸟弄归人。
【注释】：
【出处】：
全唐诗：卷99_25
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条