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1)  Shi Kuang
师旷
1.
Among them, is the pre-Qin Shi Kuang and later recorded in the literature up to the musicians in Spring and Autumn Period, but also of their life in the earlier one.
其中,师旷是先秦及后世文献中被记录最多的春秋乐师,也是他们中生活年代较早的一位。
2)  Open-field
旷场
1.
The changes of behavior were observed with step- through test and open-field test in rats 3 months after electromagnetic pulse irradiation.
方法大鼠经脉冲电磁场辐照后建立辐照组模型,辐照后3月,观察大鼠在避暗穿梭实验和旷场分析实验中的行为改变,测试其学习记忆能力和自发探究行为的变化。
3)  put aside
旷置
1.
high anul fistula patients were treated with thread-drawing and put aside theraqy.
分析 56例高位肛瘘患者 ,采用旷置挂线疗法 ,认为本术式损伤少 ,治愈率高 ,有效的保护了肛门功
4)  broad-minded [英]['brɔ:d'maɪndɪd]  [美]['brɔd'maɪndɪd]
旷达
1.
Su Shi's broad-minded spirit and its characteristics
苏轼的旷达精神及其特点
2.
Su Shi is well known of his broad-minded.
东坡的旷达,正是历经人生的凄风苦雨后,炼就出对人生荣辱得失超脱放达、适意为乐的人生情怀,有了参透人生境遇后的那种大气和雅致,才使他的作品洋溢着笑傲人生的自足和洒脱,并能在随遇而安中求得自适。
3.
at the same time,we can read the process of feeling transition in his works: from being an offician like the Emperor of Yao and Shun in Hangzhou to being open-minded and unconventioned in Mizhou; to being optimistic and broad-minded in Huangzhou; to being easy and unaffacted in manner in Huizhou and D.
同时也能从中读出苏轼内心仕与隐的情感转化的流程:由杭州通判时的“致君尧舜”发展到密州时的旷达、洒脱;再到黄州时的乐观、超脱;居惠州、儋州时的自在适性。
5)  far-reaching mood
旷如
1.
He showed us the landscape features of Yongzhou and Liuzhou with a broad view and far-reaching mood.
他"漱涤万物,牢笼百态"的文笔表达了永州柳州山水"旷如"和"奥如"的特色,但他并不是借山水来逃避,相反,以"利安元元为务"的他,以大智若愚的心态投迹山水,表现"浩乎沛然"的特异山水,创造出了泛发着勃勃生趣的山水游记作品。
6)  unmarried man
旷夫
1.
Along with the words of "infatuated man and grumbling maid","grumbling maid and unmarried man of marriageable age"are widely mentioned in people s daily life,many people often misinterpret words through taking them too literally and are frequently misled by the often-used meanings — "sad,resentment".
随着"痴男怨女""怨女旷夫"等词在人们的日常生活中的广泛使用,不少人往往望文生义,受"怨"字常用义——"哀怨、怨恨"的误导,把"怨女"理解为"哀怨、怨恨的女性",把"怨"读为"yuàn"。
补充资料:师旷
师旷

    中国春秋时期晋国的盲音乐家。生卒年不详。主要活动于公元前558~前532年。曾任晋悼公、平公的宫廷乐师,精通音律,能歌,能弹琴、鼓、瑟,尤以琴艺高妙。据《韩非子·十过》记述,师旷在晋平公前弹《清徵》一曲时,引动仙鹤从天降下跳舞;弹《清角》一曲时,引起狂风暴雨。此虽夸大之说,但其琴艺之精深可见一斑。师旷对音乐有独到见解,他将音乐和道德联系在一起,认为靡靡之乐是“亡国之音”,不能听,主张用音乐来传播教化。先秦及汉典籍对师旷多有记载。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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