1) Koushi image
孔子的人物形象
3) Confucius image
孔子形象
1.
The thesis analyzes the Confucius images of The Analects of Confucius,Zuozhuan and Guoyu which are earlier books to register Confucius,analyzed the characters of Confucius images of the three books,and summarize the general character of hypostasis of Confucius of the three books.
本文对先秦时期较早记录了孔子事迹的三部典籍———《论语》、《左传》、《国语》中的孔子形象进行了梳理和剖析,探讨了这三部典籍中孔子形象的各自特点,并总结出其在孔子形象塑造上的共同特点即原质性,以期为人们更好地了解历史上真实的孔子及其思想提供一个前提和基础。
2.
By the comparing research between the Confucius image created in the Record of the Historian and the images in the documents before it, the paper is in order to find the unique feature of the Confucius images created by Sima qian and its reasons, and to explain the artistic laws of the figure creating in the Record of the Historian.
本文旨在通过对《史记》之前文献中塑造的孔子形象与《史记》中司马迁塑造的孔子形象进行比较研究，以探究司马迁笔下孔子形象的独特性及其成因，并进而阐释司马迁塑造历史人物的艺术规律。
4) the image of Confucius
孔子形象
1.
On the one hand,the image of Confucius in Warring States Period was truthfully presented to some degree in different philosophers books,on the other hand,the changes of his image started to stand out.
战国时期的孔子形象,在诸子典籍中一方面得到了某种程度的真实表现:另一方面,也是更为突出的方面则是孔子的形象开始产生变形。
2.
The author, after making a serious study of the image of Confucius in the two Chinese classics-Mencius and Zhangtze and with reference to the historical Confucian figure, has come to the conclusion that Mencius has sanctified Confucius while Zhuangtze has allegorized him.
笔者从接受学角度认真考察了《孟子》、《庄子》中的孔子形象,并与历史上的孔子加以对比,认为《孟子》对孔子进行了“圣化”,《庄子》则进行了“寓言化”,尽管两者中的孔子都有一定的历史真实性,但他们那种不拘泥于历史、主动拿来、为我所用的态度却是一致的,在治学方法上对后代亦有较大影响,可谓异曲同工。
3.
The author holds that this influence can be revealed in three aspects-providing the source material for shaping the image of Confucius for later generations,laying the foundation of apotheosis of Confucius in people\'s hearts,and giving forepart examples of changing the image of Confucius.
先秦历史散文和诸子散文著作中不仅保存了孔子形象最初的真实写照,也保存了孔子形象最早的变异,二者都对后世的孔子形象塑造产生了一定的影响。
5) image of confucius
孔子形象
1.
In the long period of Chinese feudal society,people gave various interpretations to Confucian Thought and remould the image of confucius according to their respective interests and the needs of times.
在中国漫长的封建社会里,人们总是按时代的要求和各自利益的需要,来重新阐述孔子思想,勾勒孔子形象。
2.
And the image of Confucius approximately falls into three categories;spokesman of Daoist school,the taunted and the criticized.
孔子形象大致分为三类 ,即道家代言人的孔子、被嘲讽的孔子、被批判的孔子 ,并在此基础上对《庄子·内篇》、《庄子·外篇》和《庄子·杂篇》中孔子形象的差异性进行了简要的分析。
6) Komako the character
驹子人物形象
补充资料：产品形象
产品形象
product image
产品形象(produet image)即产品的魅力，指产品对公众的吸引力。它的心理机制是产品的个性与公众的思想感情的密切联系。通常，产品的魅力主要取决下列因素:一是方‘便，如便于携带、存放等;二是适应性强，即用途广泛;三是质量高;四是合乎顾客的地位或身份;五是可靠性:六是满足顾客的审美需要。许多名牌产品，一般都具有上述特点，能使顾客或公众获得多重满足。 (张燕逸撰张交审)
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条