1) "shen,miao,neng"
“神、妙、能”
2) spirit
神
1.
Spirit—the Highest Focus of Attention and Artistic Expression of Chinese Traditional Wushu;
论中华传统武术的最高着意点和艺术表现——“神”
2.
On "spirit" and "ease","vigour of style" and "the northern model;
“神”与“逸”、“风骨”与“北宗”论
3) Shen
神
1.
About Fission of Song Dynasty s Xing and Shen and Retort;
宋代的形神分裂论及随后的反拨
2.
On the Relationship between “Xing” and “Shen” in the Design Arts of Books;
书籍装帧艺术中的“形神”关系
4) God
神
1.
A Comparison between the God Concepts of Brahmanism and Buddhism;
婆罗门教与佛教神观念比较
2.
A Mathematical Analysis of the Origin of"Supreme Being"and"God"Worship in Chinese Culture;
中华文化“帝”“神”崇拜的数理性起源
5) gods
神
1.
Plato’s idealistic world is constructed around“gods”, which embodies his basic philosophy idea, and has great significance.
柏拉图的理念世界是围绕着“神”而构建的,在“神”的身上凝聚了他的基本哲学构想。
2.
The world was regarded by ancient people as a system composed of gods,universe and human being,in which gods were the absolute dominant force who created the world,developed the all the things and thus a series of mythologies were produced.
在远古先民的眼中世界是由神、万物、人构成的体系,在这个体系中神是绝对的主导力量,他们创造世界、化育万物,产生了一系列的神话传说。
6) deity
神
1.
There are four types of principal colony playing the major role successively in the history of Chinese culture, they are Deity, Saint, Scholar and Folk.
从文化主体的视角对中国文化的发展进程进行探讨 ,提出中国文化进程中相继出现并成为主角的文化主体有神、圣、士、民四种类型 ,进而从知识、价值和思维三个层面考察了各文化主体时代的文化特点和演进历程。
2.
The deity of art derived from the religion in the pre-modern times;With the religion s decline,“genius” and the secular political power took the place of religion as it s new deity.
艺术的神圣性在前现代时期来源于自身以外的宗教 ;当宗教衰微之后 ,“天才”和世俗政治权力成了它的新神。
3.
The traditional elite art was not born with deity, to say nothing of being perpetually unchangeable.
传统精英艺术的神圣性不是与生俱来的，更不是永恒不变的。
参考词条
补充资料：能以妙音普闻十方智明
【能以妙音普闻十方智明】
谓菩萨以善巧智明，了知众生虽空，而能以无量妙音，演一切法，遍十方界，无不闻知，是名能以妙音普闻十方智明。
谓菩萨以善巧智明，了知众生虽空，而能以无量妙音，演一切法，遍十方界，无不闻知，是名能以妙音普闻十方智明。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。