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1)  yi–xiao-guan-da
以小观大
2)  "Small by near and Big in the Distance"
以大观小
1.
Interpretation of the True Meaning of ShenKuo s "Small by near and Big in the Distance";
对沈括"以大观小"真义的阐释
2.
The article is directed against the mistaken elaborations to ShenKuo s theory of "Small by near and Big in the Distance" in the theoretical circles of fine arts nowadays and the current researches on space theory of Chinese paintings, and puts forward new opinions from another viewpoint, maintains to establish an independent theoretical system and language of space frame in Chinese paintings.
本文针对现当代美术理论界对"以大观小"理论阐释的失误以及中国画空间理论研究的现状,从新的视角,鲜明地提出自己的新观 点。
3)  Imaging the Big from the Small
以小见大
1.
Spatial and Artistic Conception Expansion--Imaging the Big from the Small in Chinese Classical Garden;
空间与意境的扩张——中国古典园林中的以小见大
4)  substituting small units with large units
以大代小
5)  By making greatly small
以小制大
6)  " novel grand sight"
《小说大观》
补充资料:观大散关图有感
【诗文】:
上马击狂胡,下马草军书。
二十抱此志,五十犹臞儒。
大散陈仓间,山川郁盘纡,劲气锺义士,可与共壮图。
坡陀咸阳城,秦汉之故都,王气浮夕霭,宫室生春芜。
安得从王师,汛扫迎皇舆?黄河与函谷,四海通舟车。
士马发燕赵,布帛来青徐。
先当营七庙,次第画九衢。
偏师缚可汗,倾都观受俘。
上寿大安宫,复如正观初。
丈夫毕此愿,死与蝼螘殊。
志大浩无期,醉胆空满躯。



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