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1)  Wushan culture
巫山文化
1.
Wushan culture constitutes the main body of the Three Gorges culture.
巫山文化是三峡文化的核心。
2)  On Wushan Culture
巫山文化简论
3)  Wu culture
巫文化
1.
excavate and expound Wu culture of Tujia people at the point of anthropology,and understand the colourful Wu culture s ipeciality of Tujia people and Wu culture s phenomenon furtherly.
从人类学视角对土家族巫文化进行考察、挖掘、阐述,从而进一步了解了土家族色彩斑斓的巫文化特质及巫文化事象。
2.
Tima is one of the important Tujia cultures,it belongs to Wu culture.
梯玛是土家族文化的重要内容之一,它属于巫文化的范畴。
3.
Three Gorges region in Yangtze River is the cradle of Wu culture.
长江三峡为巫文化的起源之地。
4)  witch culture
巫文化
1.
In this museum Wen Zhen-kun′s paper-cutting works have inherited and originalized images of the witch culture in Chu culture.
馆中文震坤老人的剪纸作品别具一格,在图案上传承和创新了楚文化中的巫文化意象,秦石蛟作品中的凤鸟图案丰满灵异,造型色彩逼真抢眼,闪烁着楚文化凤崇拜的灿烂光辉,他们的作品在传承前辈的基础上力求形式与内容上的创新,具有独特的研究和保护价值。
5)  witchcraft culture
巫卜文化
1.
This article researches the Phenomenon which prehistoric witchcraft culture effect on YueJi (Book of Music)through Oracle Bone Inscription, unearthed relics and documents being transmitted.
史前巫卜文化对后世艺术的孕育、影响至巨。
6)  wizard culture
巫文化
1.
Based on archeology and literature and existing achievements, this article believes that "Zhenmu animal" from Chu tomb is the magical tool to carry soul into heaven aftermath death of Chu wizard and further argues that wizard culture in Chu kingdom was not only widespread in Warring States period , but , to a certain degree, wizard tricks and political power combined.
本文运用考古和文献资料,在已有研究成果的基础上,提出楚墓出土的漆木器"镇墓兽"为楚国巫觋死后载魂升天法器的新说,并进一步分析认为战国时期楚地不仅巫文化分布范围广,而且在一定程度上存在巫术与政治权力结合的现象。
2.
Lisao,as the first romantic poem in Chinese literature,involved overdrawing,rich imagination and fantastic environment,which also had the obvious characteristic of the wizard culture.
《离骚》是我国第一部浪漫主义文学作品,其所表现的大胆的夸张,丰富的想像和奇谲的意境呈现出了明显的巫文化的特征。
3.
The Chinese art structure was seprated from wizard culture or, namely, as a structural consciousness, It was penetrated and that essential harmony between "decoration or representation" and "De and Xing", impelling the "ideal pragmatism" of Chin art and advancing the cultural particularities of Chinese Art structure.
商用时期,中国艺术结构与巫文化及史官文化发生分离,其标志是美饰象征结构意识呈现于艺术的深层机制,并通过与德性观念的相互协合,促成艺术观念的“实用化”,使中国艺术结构之文化体征有了十分关键的推进和提升。
补充资料:内题赋得巫山雨(一作沈佺期诗。题云巫山高
【诗文】:
神女向高唐,巫山下夕阳。裴回作行雨,婉恋逐荆王。
电影江前落,雷声峡外长。霁云无处所,台馆晓苍苍。



【注释】:



【出处】:
全唐诗:卷52_68全唐诗:卷67_6
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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