2) combination of tablet inscription and rubbing
碑帖结合
1.
It includes: different styles with the same spirit, combination of tablet inscription and rubbing, integration of North and South, respect for calligraphy art in Jin and Tang Dynasty and brushwork, ink technique, etc.
第四章论述了沈曾植的书学思想,本章从异体同势、碑帖结合、南北会通、尊晋褒唐以及笔法、墨法、书学方法等方面来论述沈曾植主要的书学思想。
3) stone inscription rubbing
碑帖
1.
Shen Yinmo s calligraphy in the transition from stone inscription rubbings to copying models of handwriting;
民国初期碑帖转换氛围中之沈尹默书艺
4) "form a rubbing from a stone inscription
以碑化帖
1.
Especially, after a valuable explorations socalled "form a rubbing from a stone inscription," his style shows more nature and fluent.
特别是经历了"以碑化帖"的实践探索之后,其用笔少了刻意的涩行顿挫,更显得自然流畅;结字由放而收,由纵而擒,意态洒脱而严谨。
5) studies in books of rubbings
碑帖学
6) "Bei Tie" Viewpoint
碑帖观念
补充资料：碑帖
石刻、木刻法书的拓本或印本，多做习字时临摹的范本。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条