The Construction of the Factualistic Documentary Aesthetics of Movie and TV Sound Sculptural;

The films directed by ZHANG Yi-mo,Hong Gao Liang and Shi Mian Mai Fu,experience the legend of the drama,on-the-spot record of the stories and the poetic quality of the images,going step by step from the traditional descriptive style of the Chinese films to the present style with modern smell.

There is a powerful tendency to the record of actual events in the contemporary film and TV which is embodied in the creation of record called "New Record Campaign" named by Lu Xinyu,in a few films having on-the-spot record and more plenty of TV programs belonging to on-the-spot record made by many TV stations.

The paper mainly expounds Wang Anyi’s novels and her theories on novels and elaborates the situation of conversion of their binary opposition from the point of narration around the mutual relationship between record of actual events and fiction in novel’s nature.

This paper aims to discuss the literary value of Ye Yonglie s documentary literary works in terms of writing style and techniques and distinctive features.

Contrary to its tradition, documentary TV program is also on the way of entertainmentization becoming to a part of entertainment TV program, as the trend of entertainment in Chinese TV industry is more and more popular.

In terms of the form of the program, "Reality TV" incorporates such program conformations as documentary, amusement, games, talk shows, indoor opera, and news reporting.

By means of either imagination or documentation , he has had as his writing purpose the keen-edged criticism.

Having made a general study of his movies over the years, from his first work THE RED CHINESE SORGHUM in 1983 to the latest movie HERO in 2002, which are grouped into “ideography”and “documentation”, the thesis dissects the anesthetic ideas contained in those movies and further excavates the roots of the “two-pole”aesthetic phenomenon and the “extreme”director’s t.