1) Calligraphy style in late Ming Dynasty
晚明书风
2) ethos of scholars in late Ming Dynasty
晚明士风
1.
Shan Ren and ethos of scholars in late Ming Dynasty --Take Chen Meigong as The Clue to Analyze;
晚明“山人”与晚明士风——以陈眉公为主线
4) Calligraphy Style of Ming and Qing Dynasty
明清书风
1.
The Success and Failure of Imitating the Calligraphy Style of Ming and Qing Dynasty;
论当代书坛效仿明清书风的得失
5) Publishing Houses of Jianyang
晚明建阳书坊
1.
The Commercial Operation and the Changes of the Novels' Engraving Form in the Late Ming and Late Qing Dynasty——A Survey Centered in Publishing Houses of Jianyang and Book Companies of Shanghai
晚明、晚清商业运作与小说刊印形态之变迁——以晚明建阳书坊和晚清上海书局为中心
6) the late Ming Dynasty
晚明
1.
Pursuing the Ideal of Free Personality between Secular and Elegant——On the Mentality of Literati in the late Ming Dynasty;
在高雅与世俗之间对自由人格理想的追寻——晚明文人心态新论
2.
A Study on the Consistence of the Late Ming Dynasty、the Late Qing Dynasty and Wu Si s Poetry Theory Reforms;
晚明、晚清与“五四”诗论变革一致性之考察
补充资料：秋晚书怀
【诗文】：
看看秋色晚，又是出门时。白发生非早，青云去自迟。
梦唯怀上国，迹不到他岐。以此坚吾道，还无愧已知。
【注释】：
【出处】：
全唐诗：卷679-62
看看秋色晚，又是出门时。白发生非早，青云去自迟。
梦唯怀上国，迹不到他岐。以此坚吾道，还无愧已知。
【注释】：
【出处】：
全唐诗：卷679-62
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条