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1)  philosophic drama
哲学戏剧
1.
This essay tries to present the particular color of drama in Plato s philosophy by reading of Plato s philosophic drama“Laches”, accordingly explain how Plato reach his goal of philosophy by making use of dramatic features of dialogues.
本文试图通过对柏拉图的哲学戏剧《拉克斯》的释读,显现出柏拉图哲学中独特的戏剧色彩,并以此说明,柏拉图如何利用对话的戏剧性特点,服务于他最终的哲学目的。
2)  philosophical drama
戏剧哲理
3)  Theater and Chinese Traditional Opera
戏剧戏曲学
4)  tragic philosophy
悲剧哲学
1.
The possibility of existence for Friedrich Wilhelm Nietzsche s tragic philosophy;
尼采悲剧哲学的生存可能性
5)  drama literature
戏剧文学
1.
The article approves that the good tradition of drama literature still has significance on drama practice,and inspires the present drama theory and creation.
旨在探讨《野人》戏剧样式在新时期话剧舞台的探索意义,分析其文本对主题的苍白表现,进而探讨剧作者"完全的戏剧"理论的负面效应,肯定戏剧文学的优良传统对戏剧实践仍具有意义,给当下戏剧理论和创作实践以启迪。
6)  drama aesthetics
戏剧美学
1.
Lure and echoes of the modern muse --Probe and Comment on the Western source of YU Shangyuan s drama aesthetics;
现代缪斯的诱惑和回应——余上沅戏剧美学之西方探源及现代评价
2.
His achievement of aesthetics,especially drama aesthetics,results from his positive attitudes towards the world and is also the unavoidable result of historical development.
李渔的《闲情偶寄》是一部内容厚实、力戒陈言、寓"庄论"于"闲情"的书,是我国第一部富有民族特点的古典戏剧美学剧作,在中国古典戏剧美学史上具有突出地位。
补充资料:汉代宗教哲学(见中国佛教哲学、道教哲学)


汉代宗教哲学(见中国佛教哲学、道教哲学)
religious philosophy of the Han dynasty

  日andal zongj飞ao汉代害教贯觉、沙冀黑袱雾默攀
  
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