As the outstangding representative of classical Chinese art, the mountain-water and pastoral poetry of Tang Dynasty created artistic conception in which feeling and setting happily blended and time and space combined into one.

What Bly mainly concentrates on is Taoism and Zen Buddhism,as well as the landscape and pastoral poems of Jin and Tang Dynasties.

Because of different cultural roots between Chinese and other foreign culture,different aesthetics produce when speak of pastoral poetry.

The Wangwei,s pastoral poetry is elusive,comfortably,indifferent to fame or gain artistic style but is celebrated worldwide.

The point of view, means of expressions and imagery in Meng Haoran’s pastoral poetry are discussed and compared with those in his contemporary Wang Wei’s poetry.

Delicacy" is the main feature of idyll in flourishing Tang Dynasty.

The circle of poets has different opinions concerning the hermit of Wang Wei and the idyll poems that he creates during his hermit period.

The achievement of Song poetry was in its idyllic feature.

On the hermit feelings in Lin bu s pastoral poems;

Buddhist happiness of Landscape on Wang Wei s acceptation, rejection and combination of matters in his pastoral poems;

The pastoral poems from Jin and Song dynasty to Tang dynasty bears profound connotation of ancient harmonious aesthetic culture, embodying intensively the beauty of harmony in its ideology.