1) three main stroke configurations
三大笔画形态
1.
By studying and organizing the picture examples of Huang s works and relative history literature information, the author drew a conclusion that there were three main stroke configurations and five main form factors in Huang s calligraphy.
通过对图像实例的考察和对文献史料的探究,提出了“山谷笔法”存在着“三大笔画形态”和“五大形式要素”的观点,并对两者之间的内在联系及形成原因作了深入剖析,进而揭示出独特的“山谷笔法”所具有的内在规律与美学价值。
2) multi stroke shapes
多笔画图形
3) the stroke modality
笔触形态
4) words shape
笔墨形态
5) A paintbrush, a paintbrush.
画笔,画笔,
6) Tang-Dynasty fine brushwork painting of beauties
大唐工笔仕女画
1.
In my opinion: Modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
我觉得:现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤,大唐工笔仕女画是我们工笔绘画的文脉所在。
补充资料:妙金刚大甘露军荼利焰鬘炽盛大三摩地
【妙金刚大甘露军荼利焰鬘炽盛大三摩地】
(术语)大日如来将说金刚炽盛光明佛顶自在十字真言,先使尽虚空界成为一甘露焰鬘之三昧也。大妙经曰:“于是如来入妙金刚大甘露军荼利焰鬘炽盛大三摩地,尽虚空界无有边处,成一甘露焰鬘。”
(术语)大日如来将说金刚炽盛光明佛顶自在十字真言,先使尽虚空界成为一甘露焰鬘之三昧也。大妙经曰:“于是如来入妙金刚大甘露军荼利焰鬘炽盛大三摩地,尽虚空界无有边处,成一甘露焰鬘。”
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