1) Yuɑndɑi siguɑn bihuɑ
元代寺观壁画
2) monastery murals
寺观壁画
1.
Datong Huayan monastery murals have always been considered Qing dynasty works by historians.
本文试图通过对上华严寺壁画的实地考察,就其内容题材、构图、布局、人物形象、色彩、线条、绘制方法,以及东壁两次间经橱后原有壁画进行分析研究,并将其与辽至清各代寺观壁画的基本特点进行比较,以及与华严寺周边地区的寺观壁画,包括应县佛宫寺释迦塔辽金壁画、灵丘觉山寺舍利塔辽代壁画、朔州崇福寺弥陀殿金代壁画、繁峙岩山寺金代壁画、阳高云林寺明代壁画的壁画特点进行了比较研究,推断华严寺壁画初绘年代应在金代建殿之时,清代为后期重绘。
3) Yuan Dynasty wall-painting
元代壁画
1.
The two grottoes preserved a certain number of the Yuan Dynasty wall-painting, which had unique style, obvious artcharacteristics and research value.
两处石窟保存有一定数量的元代壁画,这些壁画风格独特,具有显明的艺术特征和极高的研究价值。
4) Murals in Buddhist Temples of Chinese Tang ynasty
唐代佛寺壁画
5) mural painting of Buddhist temple
佛寺壁画
1.
Buddhism was in full bloom within the period of the Tang Dynasty,meanwhile, the mural painting of Buddhist temple was prosperous,including other cultural studies pertinent to Buddhism.
佛教的兴盛也带动了与佛教相关的各类文化艺术的发展,佛寺壁画就是这些艺术之一。
6) frescos in Pilu temple
毗卢寺壁画
1.
An archeological study of the frescos in Pilu temple as Hebei culture;
燕赵文化的典范——毗卢寺壁画考证
补充资料：元代寺观壁画
见元代绘画。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条