2) splashing color of landscape painting
泼彩山水画
1.
In this paper, it focuses on Zhang daqian and Liu haisu splashing color of landscape painting ,uses the methods of images researching and parallel comparing and does a series of comparative research on their color characteristics of landscape styles, the causes of style, artistic personality and thought of art .
本文以张大千和刘海粟的泼彩山水画为研究对象,采用图像研究和平行比较等方法,就二者泼彩山水画风格特征、画风成因、艺术个性、艺术思想等进行了一系列的比较研究,力图从张大千、刘海粟泼彩山水画的具体分析中,了解二者绘画观念、绘画特征和绘画风格的异同之处,以求对他们的绘画特质有更加清晰的印象。
3) splash-ink
泼墨
1.
"Pomo (splash-ink)" appeared as early as the Tang Dynasty of China, referring to a technique in which the painter first splashes ink onto the thin silk or wall, then goes on the creation according to the ink marks.
“泼墨”在中国唐代时就已经出现，指画家先把墨泼洒在绢或墙壁上后，再根据墨迹进一步加工的创作方式。
4) Pour the water! Pour the water!
泼水！泼水！
5) Landscape/ink painting
山水/水墨画
6) Chinese landscape painting
水墨山水画
1.
Automatic rendering for Chinese landscape painting using texture synthesis
基于纹理合成的水墨山水画自动绘制
补充资料：泼墨
1.中国画的一种技法。用水墨挥洒在纸上或绢上，随其形状进行绘画，笔势豪放，墨如泼出。 2.比喻天气或景物所呈现的暗黑色。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条