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1)  Narration and Dialogue
叙事与对话
2)  Narration in Unspoken Conversations
潜对话叙事
1.
An Analysis of the Means “Narration in Unspoken Conversations” Applied in the Novel “Red Mansion Dreams;
浅析《红楼梦》中的“潜对话叙事”手法
3)  narrative and non-narrative discourse
叙事与非叙事话语
1.
This study seeks to describe the use of discourse markers (DMs) by Chinese EFL learners in the narrative and non-narrative discourse identified in their monologic production.
本研究旨在描述英语专业学习者在独白式话语中叙事与非叙事话语标记语的使用情况。
4)  the dialogism of tex tual narrative discourse
叙事话语的对话性
5)  narrative discourse
叙事话语
1.
On the Local Narrative Discourse in Chinese Movie and Television;
中国影视艺术中的本土“叙事话语”试探
2.
On narrative discourse,it takes the way of "saying" news rather than broadcasting mode,focusing on relaxation,colloquial and natural beauty.
它在叙事话语上,采用"说新闻"的播报方式,注重轻松性、口语化和自然美;在叙事结构上,"调侃新闻"、"奇观展示"一显一隐地表征着两条行进路线,生成文本意义;在叙事视角上,运用富有交流性、亲切感的第二人称叙事视角,借助柔性叙事策略,有效缩短受传双方的距离。
3.
Since late 1980s,feminist narratology in the west has refocused its attention to the relations among narrative discourse,gender and identity,including the gendered narrative strategies,gendered interpretation of specific narration and the construction of the reader s gender identity by narrative forms.
20世纪80年代后期开始,西方女性主义叙事学主要研究叙事话语与性别及身份的关联,包括各种话语策略的性别差异,具体叙事的性别化阐释,以及叙事形式对读者性别身份的建构等。
6)  narrative language
叙事话语
1.
ObServe the wotld through self s eyes ——on Tie Ning s unique narrative language;
用自己的眼睛看世界——论铁凝独特的叙事话语
2.
With the main focus on finger youth and their dreams in the cosmopolitan city,the development of his novels includes 66 types of narration and 11 types of subsequent involving the same logic order,embodying and representing abstract structure that goes with the spiritual life and fate of the characters,revealing the novelist personal narrative language and cognitive style.
由此可以进一步揭示出作家个性化的叙事话语和认知范式。
3.
Abstract: The article, centering on the narrative language mode of film texts, which taking Zhang Yimou s films, as individual case of the NO.
本文从影片故事本文的叙事话语模式切入,以张艺谋为第五代导演的个案,以娄烨为新生代导演的个案,从叙事话语模式中的不同叙事话语文化语境的建构策略、叙事话语模式中不同的时空建构策略以及影片本文中的影像视点与话语权力策略三个方面来分析指出,这些策略并非为颠覆传统男性中心权威话语,只是作为中心话语的别样表述,没有削弱反而重复、加强了对男性中心话语权威的维护。
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