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1)  The Mad Woman in Elysian Field
天堂福地的疯女人
2)  woman's insanity
女人的疯癫
3)  The Madwoman in the Attic:The Woman Writer and the Nineteenth-Century Literary Imagination
《阁楼上的疯女人》
1.
From the perspective of imprisonment-anxiety of authorship-strategies,The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination offers a comprehensive study on 19~(th) century Anglo-American women s literature.
《阁楼上的疯女人》从禁锢—作者身份焦虑—应对策略这一路径出发,展开了对19世纪英美妇女文学的综合研究,同时高度重视作家的心理状态和潜意识对文本结构、人物、意象等的影响,将文本细读与精神分析、神话原型批评等融于一炉;但其将作品表层与深层结构作二元机械对立,并过分强调作家与文本中角色、文本中主人公与次要人物之间对应关系的独断、机械之处与其他盲点,亦可为中国女性主义文学批评的健康发展提供借镜。
4)  the crazy femininity in literature
文学中的疯女人
5)  mad women
疯女人
1.
American feminist writer Charlotte Perkins Gilman has,in her short story The Yellow Wallpaper,made a significant breakthrough in former female writers narrative tradition about mad women.
吉尔曼在其短篇小说《黄色糊墙纸》中,对以往女作家关于疯女人的叙事传统有了很大的突破。
2.
The three feministic works written at the turn of the century:"The Morning Bells Tolling in the Dusk","Feathered Snake" and "Wordless",portray three mad women,Liu Tianyuan,Yu and Wu Wei,who employ madness as their narrative strategy in revealing their state of being diagnosed as the ma.
在世纪之交的三部女性主义文本《晨钟响彻黄昏》、《羽蛇》和《无字》中,刘天园、羽和吴为三个疯女人各自以疯癫的方式言说着女人被诊断为疯人,被沉默为他者的癫狂之旅。
6)  mad woman
疯女人
1.
Yellow wallpaper, mad woman, the predicament and rebellion of the women writers;
黄色壁纸·疯女人·女性作家的困境与反叛
2.
Chinese interpretation from 1986 to 1994 was characterized by the sudden prominence of feminist criticism and the focused interest in the propriety of the mad woman plot and its subsequent plots where feminist criticism found itself in fierce combat with the traditional realism criticism.
1986-1994年间,《简·爱》在中国阐释的突出特点是以女性主义批评独领风骚,在阐释疯女人及小说后部某些情节的合理性,女性主义与现实主义两种批评视角激烈交锋。
3.
Bertha Mason who was imprisoned in the attic of Thornfield in Jane Eyre is not a mad woman.
《简·爱》中的桑菲尔德阁楼上被囚禁的伯莎·梅森并非是个"疯女人",她在小说中的每一次出现、每一次行动都是智者的所为。
补充资料:女人
【女人】
 (杂语)欲使初心之行人厌女色,故经论中常毁斥女人。密教以女人为三昧之标帜。涅槃经九曰:“一切女人皆是众恶之所住处。”智度论十四曰:“大火烧人,是犹可近。清风无形,是亦可捉。蚖蛇含毒,犹亦可触。女人之心,不可得实。”文句八曰:“阿难问佛:如来灭后见女人云何?佛言:勿与相见;设见勿共语;设共语,当专心念佛。”大日经疏五曰:“女人是三昧像,男子是智慧像。”同十五曰:“男是智慧故为首。女是三昧,为次之也。”
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