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1)  Language and Revolution
语言与革命
2)  language revolution
语言革命
1.
Besides,the most important characteristics of post-modernistic drama are ontological skepticism, confusion, pastiche and language revolution.
除此之外,后现代主义戏剧的最重要特征就是本体怀疑论、模糊界限、混杂拼贴和语言革命。
3)  revolution of linguistics
语言学革命
4)  New Linguistic Revolution
新语言革命
5)  revolution in language and literature
语言文学革命
6)  revolutionary discourse
革命话语
1.
After the "turning left" of Ding Ling s thoughts and writings,her female discourse position has not been stopped by her revolutionary discourse position,and it has still been continued in Sun over Sangan River.
丁玲的思想和创作“向左转”后,她曾有的女性话语立场并未被革命话语立场所遮断,在《太阳照在桑干河上》中仍有延续,从叙事学角度分析,这时的女性话语已不同于“莎菲时期”的女性话语,它以潜在的、变形的方式存在;丁玲塑造李子俊女人形象的过程就是在女性话语与革命话语之间摇摆的过程,两种话语交错出现使得李子俊女人形象更真实传神;丁玲此时的女性话语立场虽较“莎菲时期”逊色,却仍显其连续性。
2.
During the New Age since 1978, the discourse of Chinese rural novels has displayed a wonderful variety with the prominence of enlightenment discourse, revolutionary discourse and classical discourse, the heterogeneity of which manifests its evolution from monotony to diversity.
新时期以来,农村题材小说呈现出话语喧哗的态势,其中以启蒙话语形态、革命话语形态和复古话语形态尤为突出。
3.
Modern Chinese intellectuals generally image May 4th Movement through two discourse systems: the enlightenment discourse and the revolutionary discourse.
一是作为启蒙话语的五四想象,二是革命话语中的五四想象。
补充资料:BASIC语言(见程序设计语言)


BASIC语言(见程序设计语言)
BASIC

  吕AS{CBASICyLJy〔1下〕语言(BASIC)见程序设计语言。
  
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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